Margot (midnight_birth) wrote in margot_quotes,

Children of the Corn by Stephen King.


Title: Children of the Corn.
Author: Stephen King.
Genre: Fiction, short story, horror.
Country: U.S.
Language: English.
Publication Date: 1977.
Summary: A couple's exploration of a strange town and their encounters with its denizens after their vacation is sidelined by a car accident gets increasingly more alarming when all the adults seem to be missing, and there may just be something lurking in the corn fields.

My rating: 8.5/10.

♥ He was gripping the steering wheel so hard his knuckles were white. He decided he was holding it that tightly because if he loosened up, why, one of those hands might just fly off and his the ex-Prom Queen beside him right in the chops. We're saving our marriage, he told himself. Yes. We're doing it the same way us grunts went about saving villages in the war.

♥ "HOLY JESUS!" the evangelist shouted, and now the words came in a powerful, pumping cadence, almost as compelling as a driving rock-and-roll beat: "When they gonna know that way is death? When they gonna know that the wages of the world are paid on the other side? Huh? Huh? The Lord has said there's many mansions in His house. But there's no room for the fornicator. No room for the coveter. No room for the defiler of the corn. No room for the hommasexshul. No room—"

Vicky snapped it off. "That drivel makes me sick."

"What did he say?" Burt asked her. "What did he say about corn?"

♥ They stepped out onto the sidewalk, and Burt was struck afresh with the town's silence, and with the smell of fertilizer. Somehow you never thought of that smell when you buttered an ear and salted it and bit in. Compliments of sun, rain, all sorts of man-made phosphates, and a good healthy dose of cow shit. But somehow this smell was different from the one he had grown up with in rural upstate New York. You could say whatever you wanted to about organic fertilizer, but there was something almost fragrant about it when the spreader was laying it down in the fields. Not one of your great perfumes, God no, but when the late-afternoon spring breeze would pick up and waft it over the freshly turned fields, it was a smell with good associations. It meant winter was over for good. It meant that school doors were going to bang closed in six weeks or so and spill everyone out into summer. It was a smell tied irrevocably in his mind with other aromas that were perfume: timothy grass, clover, fresh earth, hollyhocks, dogwood.

♥ She looked. Neatly pegged white letters under glass read: THE POWER AND GRACE OF HE WHO WALKS BEHIND THE ROWS.

♥ The space behind the pulpit was dominated by a gigantic portrait of Christ, and Burt thought: If nothing else in this town gave Vicky the screaming meemies, this would.

The Christ was grinning, vulpine. His eyes were wide and staring, reminding Burt uneasily of Lon Chaney in The Phantom of the Opera. In each of the wide black pupils someone (a sinner, presumably) was drowning in a lake of fire. But the oddest thing was that this Christ had green hair... hair which on closer examination revealed itself to be a twining mass of early-summer corn. The picture was crudely done but effective. It looked like a comic-strip mural done by a gifted child—an Old Testament Christ, or a pagan Christ that might slaughter his sheep for sacrifice instead of leading them.

♥ There was a large Bible on the lectern, opened to the thirty-eighth chapter of Job. Burt glanced down at it and read: "Then the Lord answered Job out of the whirlwind, and said, Who is this that darkeneth counsel by words without knowledge?... Where wast thou when I laid the foundations of the earth? declare, if thou hast understanding." The lord. He Who Walks Behind the Rows. Declare if thou hast understanding. And please pass the corn.

♥ He grimaced at the words stamped on the cover, done inexpertly in gold leaf: "THUS LET US THE INIQUITOUS BE CUT DOWN SO THAT THE GROUND MAY BE FERTILE AGAIN SAITH THE LORD GOD OF HOSTS.

♥ Standing behind the pulpit, Burt thought about it.

Something had happened in 1964. Something to do with religion, and corn... and children.

Dear God we beg thy blessing on the crop. For Jesus' sake, amen.

And the knife raised high to sacrifice the lamb—but had it been a lamb? Perhaps a religious mania had swept them. Alone, all alone, cut off from the outside world by hundreds of square miles of the rustling secret corn. Alone under seventy million acres of blue sky. Alone under the watchful eye of God, now a strange green God, a God of corn, grown old and strange and hungry. He Who Walks Behind the Rows.

Burt felt a chill creep into his flesh.

Vicky, let me tell you a story. It's about Amos Deigan, who was born Richard Deigan on September 4, 1945. He took the name Amos in 1964, fine Old Testament name, Amos, one of the minor prophets. Well, Vicky, what happened—don't laugh—is that Duck Deigan and his friends—Billy Renfrew, George Kirk, Roberta Wells, and Eddie Hollis among others—they got religion and they killed off their parents. All of them. Isn't that a scream? Shot them in their beds, knifed them in their bathtubs, poisoned their suppers, hung them, or disemboweled them, for all I know.

Why? The corn. Maybe it was dying. Maybe they got the idea somehow that it was dying because there was too much sinning. Not enough sacrifice. They would have done it in the corn, in the rows.

And somehow, Vicky, I'm quite sure of this, somehow they decided that nineteen was as old as any of them could live. Richard "Amos" Deigan, the hero of our little story, had his nineteenth birthday on September 4, 1964—the date in the book. I think maybe they killed him. Sacrificed him in the corn. Isn't that a silly story?

But let's look at Rachel Stigman, who was Donna Stigman until 1964. She turned nineteen on June 21, just about a month ago. Moses Richardson was born on July 29—just three days from today he'll be nineteen. Any idea what's going to happen to ole Mose on the twenty-ninth?

I can guess.

Burt licked his lips, which felt dry.

One other thing, Vicky. Look at this. We have Job Gilman (Clayton) born on September 6, 1964. No other births until June 16, 1965. A gap of ten months. Know what I think? They killed all the parents, even the pregnant ones, that's what I think. And one of them got pregnant in October of 1964 and gave birth to Eve. Some sixteen- or seventeen-year-old girl. Eve. The first woman.

He thumbed back through the book feverishly and found the Eve Tobin entry. Below it: "Adam Greenlaw, b. July 11, 1965."

They'd be just eleven now, he thought, and his flesh began to crawl. And maybe they're out there. Someplace.

But how could such a thing be kept secret? How could it go on?

How unless the God in question approved?

♥ "Vicky," he whispered. "Oh, Vicky, my God—"

She had been mounted on a crossbar like a hideous trophy, her arms held at the wrists and her legs at the ankles with twists of common barbed wire, seventy cents a yard at any hardware store in Nebraska. Her eyes had been ripped out. The sockets were filled with the moonflax of cornsilk. Her jaws were wrenched open in a silent scream, her mouth filled with cornhusks.

♥ That was when Burt heard it coming: not the children but something much larger, moving through the corn and toward the clearing. Not the children, no. The children wouldn't venture into the corn at night. This was the holy place, the place of He Who Walks Behind the Rows.

Jerkily Burt turned to flee. The row he had entered the clearing by was gone. Closed up. All the rows had closed up. It was coming closer now and he could hear it, pushing through the corn. He could hear it breathing. An ecstasy of superstitious terror seized him. It was coming. The corn on the far side of the clearing had suddenly darkened, as if a fantastic shadow had blotted it out.


He Who Walks Behind the Rows.

It began to come into the clearing. Burt saw something huge, bulking up to the sky... something green with terrible red eyes the size of footballs.

Something that smelled like dried cornhusks years in some dark barn.

He began to scream. But he did not scream long. Some time later, a bloated orange harvest moon came up.

♥ And that night all of those now above the Age of Favor walked silently into the corn and went to the clearing, to gain the continued favor of He Who Walks Behind the Rows.

"Goodbye, Malachi," Ruth called. She waved disconsolately. Her belly was big with Malachi's child and tears coursed silently down her cheeks. Malachi did not turn. His back was straight. The corn swallowed him.

Ruth turned away, still crying. She had conceived a secret hatred for the corn and sometimes dreamed of walking into it with a torch in each hand when dry September came and the stalks were dead and explosively combustible. But she also feared it. Out there, in the night, something walked, and it saw everything... even the secrets kept in human hearts.

Dusk deepened into night. Around Gatlin the corn rustled and whispered secretly. It was well pleased.
Tags: 1970s - fiction, 20th century - fiction, 3rd-person narrative, american - fiction, author: stephen king, cults (fiction), fiction, horror, religion (fiction), religion - christianity (fiction), short stories

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