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The Haunting of Hill House by Shirley Jackson.

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Title: The Haunting of Hill House.
Author: Shirley Jackson.
Genre: Literature, fiction, horror, haunted house, mental illness.
Country: U.S.
Language: English.
Publication Date: 1959.
Summary: Four seekers arrive at the rambling old pile known as Hill House: Dr. Montague, an occult scholar looking for solid evidence of psychic phenomena; Theodora, his lovely and lighthearted assistant; Luke, the adventurous future inheritor of the estate; and Eleanor, a friendless, fragile young woman with a dark past. As they begin to cope with chilling, even horrifying occurrences beyond their control or understanding, they cannot possibly know what lies ahead. For Hill House is gathering its powers—and soon it will choose one of them to make its own.

My rating: 7.5/10
My review:


♥ No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

♥ It was the first genuinely shining day of summer, a time of year which brought Eleanor always to aching memories of her early childhood, when it had seemed to be summer all the time; she could not remember a winter before her father's death on a cold wet day. She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one's childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by. Yet this morning, driving the little car which she and her sister owned together, apprehensive lest they might still realize that she had come after all and just taken it away, going docilely along the street, following the lines of traffic, stopping when she was bidden and turning when she could, she smiled out at the sunlight slanting along the street and thought, I am going, I am going, I have finally taken a step.

♥ She had never driven far alone before. The notion of dividing her lovely journey into miles and hours was silly; she saw it, bringing her car with precision between the line on the road and the line of trees beside the road, as a passage of moments, each one new, carrying her along with them, taking her down a path pf incredible novelty to a new place. The journey itself was her positive action, her destination vague, unimagined, perhaps nonexistent.

♥ On the main street of one village she passed a vast house, pillared and walled, with shutters over the windows and a pair of stone lions guarding the steps, and she thought that perhaps she might live there, dusting the lions each morning and patting their heads good night. Time is beginning this morning in June, she assured herself, but it is a time that is strangely new and of itself; in these few seconds I have lived a lifetime in a house with two lions in front. Every morning I swept the porch and dusted the lions, and every evening I patted their heads good night, and once a week I washed their faces and manes and paws with warm water and soda and cleaned between their teeth with a swab. Inside the house the rooms were tall and clear with shining floors and polished windows. A little dainty old lady took care of me, moving starchily with a silver teas crevice on a tray and bringing me a glass of elderberry wine each evening for my health's sake. I took my dinner alone in the long, quiet dining room at the gleaming table, and between the tall windows the while paneling of the walls shone in the candlelight; I dined upon a bird, and radishes from the garden, and homemade plum ham. When I slept it was under a canopy of white organdy, and a nightlight guarded me from the hall. People bowed to me in the streets of the town because everyone was very proud of my lions. When I died...

♥ The light from the stream below touched the ceiling and the polished tables and glanced along the little girl's curls, and the little girl's mother said, "She wants her cup of stars."

Indeed yet, Eleanor thought; indeed, so do I; a cup of stars, of course.

"Her little cup," the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. "It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk." The waitress nodded, unconvinced, and the mother told the little girl, "You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?"

Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.

♥ The honest old family retainer, she thought, proud and loyal and thoroughly unpleasant. "You and your wife take care of the house all alone?"

"Who else?" It was his boast, his curse, his refrain.

♥ She turned her car onto the last stretch of straight drive leading her directly, face to face, to Hill House and, moving without thought, pressed her foot on the brake to stall the car and sat, staring.

The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

♥ No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed.

♥ "I've never seen such awful places in my life," Eleanor said, her voice rising.

"Like the very best hotels," Theodora said, "or any good girl's camp."

♥ "You know," Theodora said slowly, "up until the last minute—when I got to the gates, I guess—I never really thought there would be a Hill House. You don't go around expecting things like this to happen."

"But some of us go around hoping," Eleanor said.

♥ "Hill House has a reputation for insistent hospitality; it seemingly dislikes letting its guests get away."

♥ "You will recall," the doctor began, "the houses described in Leviticus as 'leprous,' tsaraas, or Home's phrase for the underworld: aidao domos, the house of Hades; I need not remind you, I think, that the concept of certain houses as unclean or forbidden—perhaps sacred—is as old as the mind of man. Certainly there are spots which inevitably attach to themselves an atmosphere of holiness and goodness; it might not then be too fanciful to say that some houses are born bad. Hill House, whatever the cause, has been unfit for human habitation for upwards of twenty years. What it was like before then, whether its personality was molded by the people who lived here, or the things they did, or whether it was evil from its start are all questions I cannot answer. Naturally I hope that we will all know a good deal more about Hill House before we leave. No one knows, even, why some houses are called haunted."

"What else could you call Hill House?" Luke demanded.

"Well—disturbed, perhaps. Leprous. Sick. Any of the popular euphemisms for insanity; a deranged house is a pretty conceit."

♥ "I don't think we could leave now if we wanted to." Eleanor had spoken before she realized clearly what she was going to say, or what it was going to sound like to the others; she saw that they were staring at her, and laughed and added lamely, "Mrs. Dudley would never forgive us." She wondered if they really believed that that was what she had meant to say, and thought, Perhaps it has us now, this house, perhaps it will not let us go.

♥ "It was said that the older sister was crossed in love," the doctor agreed, "although that is said of almost any lady who prefers, for whatever reason, to live alone."

♥ "Hill House has an impressive list of tragedies connected with it, but then, most old houses have. People have to live and die somewhere, after all, and a house can hardly stand for eighty tears without seeing some of its inhabitants die within its walls."

♥ "And so the old house has just been sitting here." Luke put out a tentative finger and touched the marble cupid gingerly. "Nothing in it touched, nothing used, nothing here wanted by anyone any more, just sitting here thinking."

"And waiting," Eleanor said.

"And waiting," the doctor confirmed. "Essentially," he went on slowly, "the evil is the house itself, I think. It has enchained and destroyed its people and their lives, it is a place of contained ill will."

♥ Eleanor found herself unexpectedly admiring her own feet. Theodora dreamed over the fire just beyond the tips of her toes, and Eleanor thought with deep satisfaction that her feet were handsome in their red sandals; what a complete and separate thing I am, she thought, going from my red toes to the top of my head, individually an I, possessed of attributes belonging only to me. I have red shoes, she thought—that goes with being Eleanor; I dislike lobster and sleep on my left side and crack my knuckles when I am nervous and save buttons. I am holding a brandy glass which is mine because I am here and I am using it and I have a place in this room. I have red shoes and tomorrow I will wake up and I will still be here.

"I have red shoes," she said very softly, and Theodora turned and smiled up at her.

♥ "I can tell you one thing," the doctor said, :"if it was the younger sister sneaking around this house at night, she had nerves of iron. It watches," he added suddenly. "The house. It watches every move you make."

♥ Her fingernails were dirty, and her hand was badly shaped and people made jokes about love because sometimes it was funny.

♥n Then she slept, secure; in the next room Theodora slept, smiling, with her light on. Farther down the hall the doctor, reading Pamela, lifted his head occasionally to listen, and once went to his door and stood for a minute, looking down the hall, before going back to his book. A nightlight shone at the top of the stairs over the pool of blackness which was the hall. Luke slept, on his bedside table a flashlight and the lucky piece he always carried with him. Around them the house brooded, settling and stirring with a movement that was almost like a shudder.

♥ Eleanor felt, as she had the day before, that the conversation was being skillfully guided away from the thought of fear, so very present in her own mind. Perhaps she was to be allowed to speak occasionally for all of them so that, quieting her, they quieted themselves and could leave the subject behind them; perhaps, vehicle for every kind of fear, she contained enough for all.

♥ "One of the peculiar traits of Hill House is its design—"

"Crazy house at the carnival."

"Precisely. Have you not wondered at our extreme difficulty in finding out way around? An ordinary house would not have had the four of us in such confusion for so long, and yet time after time e choose the wrong doors, the room we want eludes us. Even I have had my troubles." He sighed and nodded. "I daresay," he went on, "that old Hugh Crain expected that someday Hill House might become a showplace, like the Winchester House in California or the many octagon houses; he designed Hill House himself, remember, and, I have told you before, he was a strange man. Every angle"—and the doctor gestured toward the doorway—"every angle is slightly wrong. High Crain must have detested other people and their sensible squared-away houses, because he made his house to suit his mind. Angles which you assume are the right angles you are accustomed to, and have every right to expect are true, are actually a fraction of a degree off in one direction or another. I am sure, for instance, that you believe that the stairs you are sitting on are level, because you are not prepared for stairs which are not level—"

They moved uneasily, and Theodora put out a quick hand to take hold of the balustrade, as though she felt she might be falling.

"—are actually on a very slight slant toward the central shaft; the doorways are all a very little bit off center— that may be, by the way, the reason the doors swing shut unless they are held; I wondered this morning whether the approaching footsteps of you two ladies upset the delicate balance of the doors. Of course the result of all these tiny aberrations of measurement adds up to a fairly large distortion in the house as a whole. Theodora cannot see the tower from her bedroom window because the tower actually stands at the corner of the house. From Theodora's bedroom window it is completely invisible, although from here it seems to be directly outside her room. The window of Theodora's room is actually fifteen feet to the left of where we are now."

.."Then everything is a little bit off center?" Theodora asked uncertainly. "That's why it all feels so disjointed?"

"What happens when you go back to a real house?" Eleanor asked. "I mean—a—well—a real house?"

"It must be like coming off shipboard," Luke said. "After being here for a while your sense of balance could be so distorted that it would take you a while to lose your sea legs, or your Hill House legs. Could it be," he asked the doctor, "that what people have been assuming were supernatural manifestations were really only the result of a slight loss of balance in the people who live here? The inner ear," he told Theodora wisely.

"It must certainly affect people in some way," the doctor said. "We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight to preserve its own familiar stable patterns against all evidence that it was leaning sideways."

♥ "Look," Luke said, pointing. In either corner of the hall, over the nursery doorway, two grinning heads were set; meant, apparently, as gay decorations for the nursery entrance, they were no more jolly or carefree than the animals inside. Their separate stares, captured forever in distorted laughter, met and locked at the point of the hall where the vicious cold centered. "When you stand where they can look at you," Luke explained, "they freeze you."

♥ "Everything is worse," he said, looking at Eleanor, "if you think something is looking at you."

♥ "I am going to get fat and lazy in Hill House," Theodora went on. Her insistence on naming Hill House troubled Eleanor. It's as though she were saying it deliberately, Eleanor thought, telling the house she knows its name, calling the house to tell it where we are; is it bravado? "Hill House, Hill House, Hill House," Theodora said softly, and smiled across at Eleanor.

♥ "Nervous?" the doctor asked, and Eleanor nodded.

"Only because I wonder what's going to happen," she said.

"So do I." The doctor moved a chair and sat down beside her. "You have the feeling that something—whatever it is—is going to happen soon?"

"Yes. Everything seems to be waiting."

"And they"—the doctor nodded at Theodora and Luke, who were laughing at each other—"they meet it in their way; I wonder what it will do to all of us. I would have said a month ago that a situation like this would never really come about, that we four would sit here together, in this house." He does not name it, Eleanor noticed. "I've been waiting for a long time," he said.

"You think we are right to stay?"

"Right?" he said. "I think we are all incredibly silly to stay. I think that an atmosphere like this one can find out the flaws and faults and weaknesses in all of us, and break up apart in a matter of days. We have only one defense, and that is running away. At least it can't follow us, can it? When we feel ourselves endangered we can leave, just as we came. And," he added dryly, "just as fast as we can go."

♥ Tiredly, following one another, they went up the great stairway, turning out lights behind them. "Has everyone got a flashlight, by the way?" the doctor asked, and they nodded, more intent upon sleep than the waves of darkness which came after them up the stairs of Hill House.

♥ It started again, as though it had been listening, waiting to hear their voices and what they said, to identify them, to know how well prepared they were against it, waiting to hear if they were afraid. So suddenly that Eleanor leaped back against the bed and Theodora gasped and cried out, the iron crash came against their door, and both of them lifted their eyes in horror, because the hammering was against the upper edge of the door, higher than either of them could reach, higher than Luke or the doctor could reach, and the sickening, degrading cold came in waves from whatever was outside the door.

♥ He had the brandy bottle and glasses, and Eleanor thought that they must make a companionable little group, the four of them, sitting around Theodora's room at four in the morning, drinking brandy. They spoke lightly, quickly, and gave one another fast, hidden, little curious glances, each of them wondering what secret terror had been tapped in the others, what changes might show in face or gesture, what unguarded weakness might have opened the way to ruin.

♥ "First," he said, "Luke and I were awakened earlier than you ladies, clearly; we have been up and about, outside and in, for better than two hours, led on what you perhaps might allow me to call a wild-goose chase. Second, neither of us"—he glanced inquiringly at Luke as he spoke—"heard any sound up here until your voices began. It was perfectly quiet. That is, the sound which hammered on your door was not audible to us. When we have up our vigil ans decided to come upstairs we apparently drove away whatever was waiting outside your door. Now, as we sit here together, all is quiet."

"I still don't see what you mean," Theodora said, frowning.

"We must take precautions," he said.

"Against what? How?"

"When Luke and I are called outside, and you two are kept imprisoned inside, doesn't it begin to seem"—and his voice was very quiet—"doesn't it begin to seem that the intention is, somehow, to separate us?"

♥ Looking at herself in the mirror, with the bright morning sunlight freshening even the blue room of Hill House, Eleanor thought, It is my second morning in Hill House, and I am unbelievably happy. Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long. Abandoning a lifelong belief that to name happiness is to dissipate it, she smiled at herself in the mirror and told herself silently, You are happy, Eleanor, you have finally been given a part of your measure of happiness. Looking away from her own face in the mirror, she thought blindly, Journeys end in lovers meeting, lovers meeting.

♥ "No physical danger exists," the doctor said positively. "No ghost in all the long histories of ghosts has ever hurt anyone physically. The only damage done is by the victim to himself. One cannot even say that the ghost attacks the mind, because the mind, the conscious, thinking mind, is invulnerable; in all our conscious minds, as we sit here talking, there is not one iota of belief in ghosts. Not one of us, even after last night, can say the word 'ghost' without a little involuntary smile. No, the menace of the supernatural is that it attacks where modern minds are weakest, where we have abandoned our protective armor of superstition and have no substitute defense. Not one of us thinks rationally that what ran through the garden last night was a ghost, and what knocked on the door was a ghost, and yet there was certainly something going on in Hill House last night, and the mind's instinctive refuge—self-doubt—is eliminated. We cannot say, 'It was my imagination,' because three other people were there too."

♥ Suddenly, without reason, laughter trembled inside Eleanor; she wanted to run to the head of the table and hug the doctor, she wanted to reel, chanting, across the stretches of the lawn, she wanted to sing and to shout and to fling her arms and move in great emphatic, possessing circles around the rooms of Hill House; I am here, I am here, she thought. She shut her eyes quickly in delight and then said demurely to the doctor, "And what do we do today?"

♥ The writing was large and straggling and ought to have looked, Eleanor thought, as though it had been scribbled by bad boys on a fence. Instead, it was incredibly real, going in broken lines over the thick paneling of the hallway. From one end of the hallway to the other the letters went, almost too large to read, even when she stood back against the opposite wall.

"Can you read it?" Luke asked softly, and the doctor, moving his flashlight, read slowly: HELP ELEANOR COME HOME.

"No." And Eleanor felt the words stop in her throat; she had seen her name as the doctor read it. It is me, she thought. It is my name standing out there so clearly; I should not be on the walls of this house.

♥ Her voice was not loud, and she had tried to keep it level, but she heard the doctor's book drop to the floor and then the pounding of feet as he and Luke ran for the stairs. She watched them, seeing their apprehensive faces, wondering at the uneasiness which lay so close below the surface in all of them, so that each of them seemed always waiting for a cry for help from one of the others; intelligence and understanding are really no protection at all, she thought.

♥ "Fear," the doctor said, "is the relinquishing of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway."

♥ "I am always afraid of being alone," Eleanor said, and wondered, Am I talking like this? Am I saying something I will regret bitterly tomorrow? Am I making more guilt for myself? "Those letters spelled out my name, and none of you know what that feels like—it's so familiar." And she gestured to them, almost in appeal. "Try to see," she said. "It's my own dear name, and it belongs to me, and something is using it and writing it and calling me with it and my own name..." She stopped and said, looking from one of them to another, even down onto Theodora's face looking up at her, "Look. There's only one of me, and it's all I've got. I hate seeing myself dissolve and slip and separate so that I'm living in one half, my mind, and I see the other half of me helpless and frantic and driven and I can't stop it, but I know I'm not really going to be hurt and yet time is so long and even a second goes on and on and I could stand any of it if I could only surrender—"

♥ Sitting up in the two beds beside each other, Eleanor and Theodora reached out between and held hands tight; the room was brutally cold and thickly dark. From the room next door, the room which until that morning had been Theodora's, came the steady low sound of a voice babbling, too low for words to be understood, too steady for disbelief. Holding hands so hard that each of them could feel the other's bones, Eleanor and Theodora listened, and the low, steady sound went on and on, the voice lifting sometimes for an emphasis on a mumbled word, falling sometimes to a breath, going on and on. Then, without warning, there was a little laugh, the small gurgling laugh that broke through the babbling, and rose as it laughed, on up and up the scale, and the broke off suddenly in a little painful gasp, and the voice went on.

Theodora's grasp loosened, and tightened, and Eleanor, lulled for a minute by the sounds, started and looked across to where Theodora ought to be in the darkness, and then thought, screamingly, Why is it dark? Why is it dark? She rolled and clutched Theodora's hand with both of hers, and tried to speak and could not, and held on, blindly, and frozen, trying to stand her mind on its feet, trying to reason again. We left the light on, she told herself, so what is it dark? Theodora, she tried to whisper, and her mouth could not move; Theodora, she tried to ask, why is it dark? and the voice wen on, babbling, low and steady, a little liquid gloating sound. She thought she might be able to distinguish words if she lay perfectly still, if she lay perfectly still, and listened, and listened and heard the voice going on and on, never ceasing, and she hung desperately to Theodora's hand and felt an answering weight on her own hand.

Then the little gurgling laugh came again, and the rising mad sound of it drowned out the voice, and then suddenly absolute silence. Eleanor took a breath, wondering if she could speak now, and then she heard a little soft cry which broke her heart, a little infinitely sad cry, a little sweet moan of wild sadness. It is a child, she thought with disbelief, a child is crying somewhere, and then, upon that thought, came the wild shrieking voice she had never heard before and yet knew she had heard always in her nightmares. "Go away!" it screamed. "Go away, go away, don't hurt me," and, after sobbing, "Please don't hurt me. Please let me go home," and then the little sad crying again.

I can't stand it, Eleanor thought concretely. This is monstrous, this is cruel, they have been hurting a child and I won't let anyone hurt a child, and the bawling went on, low and steady, on and on and on, the voice rising a little and falling a little, going on and on.

Now, Eleanor thought, perceiving that she was lying sideways on the bed in the black darkness, holding with both hands to Theodora's hand, holding so tight she could feel the fine bones in Theodora's fingers, now, I will not endure this. They think to scare me. Well, they have. I am scared, but more than that, I am a person, I am human, I am a walking reasoning humorous human being and I will take a lot from this lunatic filthy house but I will not go along with hurting a child, no, I will not; I will by God get my mouth to open right now and I will yell and I will yell "STOP IT," she shouted, and the lights were on the way they had left them and Theodora was sitting up in bed, startled and disheveled.

"What?" Theodora was saying. "What, Nell? What?"

"God God," Eleanor said, flinging herself out of bed and across the room to stand shuddering in a corner, "God God—whose hand was I holding?"

♥ I am learning the pathways of the heart, Eleanor thought quite seriously, and then wondered what she could have meant by thinking any such thing. It was afternoon, and she sat in the sunlight on the steps of the summerhouse beside Luke; these are the silent pathways of the heart, she thought. She knew that she was pale, and still shaken, with dark circles under her eyes, but the sun was warm and the leaves moved gently overhead, and Luke beside her lay lazily against the step. "Luke," she asked, going slowly for fear of ridicule, "why do people want to talk to each other? I mean, what are the things people always want to find out about other people?"

"What do you want to know about me, for instance?" He laughed. She thought, But why not ask what he wants to know about me; he is so extremely vain—and laughed in tun and said, "What can I ever know about you, beyond what I see?" See was the least of the words she might have chosen, but the safest. Tell me something that only I will ever know, was perhaps what she wanted to ask him, or, What will you give me to remember you by?—or, even, Nothing of the least importance has ever belonged to me; can you help?

♥ "I never had a mother," he said, and the shock was enormous. Is that all he thinks of me, his estimate of what I want to hear of him; will I enlarge this into a confidence making me worthy of great confidences? Shall I sigh? Murmur? Walk away? "No one ever loved me because I belonged," he said. "I suppose you can understand that?"

No, she thought, you are not going to catch me so cheaply; I do not understand words and will not accept them in trade for my feelings; this man is a parrot. I will tell him that I can never understand such a thing, that maudlin self-pity does not move directly at my heart; I will not make a fool of myself by encouraging him to mock me. "I understand, yes," she said.

♥ Fear and guilt are sisters; Theodora caught her on the lawn. Silent, angry, hurt, they left Hill House side by side, walking together, each sorry for the other. A person angry, or laughing, or terrified, or jealous, will go stubbornly on into extremes of behavior impossible at another time; neither Eleanor nor Theodora reflected for a minute that it was imprudent for them to walk far from Hill House after dark. Each was so bent upon her own despair that escape into darkness was vital, and, containing themselves in that tight, vulnerable, impossible cloak which is fury, they stamped along together, each achingly aware of the other, each determined to be the last to speak.

..Nothing irrevocable had yet been spoken, but there was only the barest margin of safety left them; each of them moving delicately along the outskirts of an open question, and, once spoken, such a question—as "Do you love me?"—could never be answered or forgotten. They walked slowly, meditating, wondering, and the path sloped down from their feet and they followed, walking side by side in the most extreme intimacy of expectation; their feinting and hesitation done with, they could only await passively for resolution. Each knew, almost within a breath, what the other was thinking and wanting to say; each of them almost wept for the other. They perceived at the same moment the change in the path and each knew then the other's knowledge of it; Theodora took Eleanor's arm and, afraid to stop, they moved on slowly, close together, and ahead of them the path widened and blackened and curved.

Eleanor caught her breath, and Theodora's hand tightened, warning her to be quiet. On either side of the the trees, silent, relinquished the dark color they had held, paled, grew transparent and stood white and ghastly against the black sky. The grass was colorless, the path wide and black; there was nothing else. Eleanor's teeth were chattering, and the nausea of fear almost doubled her; her arm shivered under Theodora's holding hand, now almost a clutch, and she felt every slow step as a willed act, a precise mad insistence upon the putting of one foot down after the other as the only sane choice. Her eyes hurt with tears against the screaming blackness of the path and the shuddering whiteness of the trees, and she thought, with a clear intelligent picture of the words in her mind, burning, Now I am really afraid.

They moved on, the path unrolling ahead of them, the white trees unchanging on either side and, above all, the black sky lying thick overhead; their feet were shimmering white where they touched the path; Theodora's hand was pale and luminous. Ahead of them the path curved out of sight, and they walked slowly on, moving their feet precisely because it was the only physical act possible to them, the only thing left to keep them from sinking into the awful blackness and whiteness and luminous evil glow. Now I am really afraid, Eleanor thought in words of fire; remotely she could still feel Theodora's hand on her arm, but Theodora was distant, licked away; it was bitterly cold, with no human warmth near. Now I am really afraid, Eleanor thought, and put her feet forward one after another, shivering as they touched the path, shivering with mindless cold.

The path unwound; perhaps it was taking them somewhere, willfully, since neither of them could step off it and go knowingly into the annihilation of whiteness that was the grass on either side. The path curved, black and shining, and they followed. Theodora's hand tightened, and Eleanor caught her breath on a little sob—had something moved, ahead, something whiter than the white trees, beckoning? Beckoning, fading into the trees, watching? Was there movement beside them, imperceptible in the soundless night; did some footstep go invisibly along with them in the white grass? Where were they?

The path led them to its destined end and died beneath their feet. Eleanor and Theodora looked into a garden, their eyes blinded with the light of sun and rich color; incredibly, there was a picnic party on the grass in the garden. They could hear the laughter of the children and the affectionate, amused voices of the mother and father; the grass was richly, thickly green, the flowers were colored red and orange and yellow, the sky was blue and gold, and one child wore a scarlet jumper and raised its voice again in laughter, tumbling after a puppy over the grass. There was a checked tablecloth spread out, and, smiling, the mother leaned over to take up a plate of bright fruit; then Theodora screamed.

"Don't look back," she cried out in voice high with fear, "don't look back—don't look—run!"

♥ On the afternoon of the day that Mrs. Montague was expected, Eleanor went alone into the hills above Hill House, not really intending to arrive at any place in particular, not even caring where or how she went, wanting only to be secret and out from under the heavy dark wood of the house. She found a small spot where the grass was soft and dry and lay down, wondering how many years it had been since she had lain on soft grass to be alone to think. Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted on their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile. Idly Eleanor picked a wild daisy, which died in her fingers, and, lying on the grass, looked up into its dead face. There was nothing in her mind beyond an overwhelming wild happiness. She pulled at the daisy, and wondered, smiling at herself, What am I going to do? What am I going to do?

♥ "Nell doesn't want messages from beyond," Theodora said, comfortingly, moving to take Eleanor's cold hand in hers. "Nell wants her warm bed and a little sleep."

Peace, Eleanor thought concretely; what I want in all this world is peace, a quiet spot to lie and think, a quiet spot up among the flowers where I can dream and tell myself sweet stories.

♥ They walked waved back at her dutifully, standing still, watching her. They will watch me down the drive as far as they can see, she thought; it is only civil for them to look at me until I am out of sight; so now I am going. Journeys end in lovers meeting. But I won't go, she thought, and laughed aloud to herself; Hill House is not as easy as they are; just by telling me to go away they can't make me leave, not if Hill House means me to stay. "Go away, Eleanor," she chanted aloud, "go away, Eleanor, we don't want you ant more, not in our Hill House, go away, Eleanor, you can't stay here; but I can," she sang, "but I can; they don't make the rules around here. They can't turn me out or shut me out or laugh at me or hide from me; I won't go, and Hill House belongs to me."

With what she perceived as quick cleverness she pressed her foot down hard on the accelerator; they can't run fast enough to catch me this time, she thought, but by now they must be beginning to realize; I wonder who notices first? Luke, almost certainly. I can hear them calling now, she thought, and the little footsteps running through Hill House and the soft sound of the hills pressing closer. I am really doing it, she thought, turning the wheel to send the car directly at the great tree at the curve of the driveway, I am really doing it, I am doing this all by myself, now, at last; this is me, I am really really really doing it by myself.

In the unending, crashing second before the car hurled into the tree she thought clearly, Why am I doing this? Why am I doing this? Why c=don't they stop me?
Tags: 1950s - fiction, 20th century - fiction, 3rd-person narrative, american - fiction, fiction, gothic fiction, haunted house (fiction), horror, literature, mental health (fiction), paranormal investigations (fiction), personification
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