Margot (midnight_birth) wrote in margot_quotes,

Ghost Stories b y E.F. Benson.


Title: Ghost Stories.
Author: E.F. Benson.
Genre: Fiction, literature, short stories, horror.
Country: U.K.
Language: English.
Publication Date: 1906, 1912, 1922, 1923, 1924, 1926 (this collection 2016).
Summary: This book collects 9 ghost and horror stories. In Spinach (1924), a brother and sister who make their living holding séances and communicating with the dead are contacted by a disturbed spirit seeking to have them right a wrong he's committed during his lifetime. In the Tube (1923) examines the concept of time, when a man has a vision in the tube of something that hasn't occurred yet, but he realizes he is nonetheless unable to prevent. In The Man Who Went Too Far (1912), a man's plunge into neo-paganism in order to connect intimately with nature and find fulfillment leads down a scary and dark path. In Mrs. Amworth (1923), when an exuberant and outgoing woman moves into a small village in Sussex, one of the residents who dedicates his life to studying the occult begins to suspect she is actually a vampire. In The Room in the Tower (1912), a man who has a recurring nightmare throughout his life comes to live it when he's invited to a friend's estate, and housed in a tower with a menacing and familiar portrait, and an air of premonition of evil. The Bus Conductor (1906) is a fatal-crash premonition tale about a person haunted by a hearse driver. In Negotium Perambulans (1922), a man returns to a beloved childhood village to make his home, but encounters horrifying experiences with a haunted church panel that depicts a gruesome supernatural murder, and an artist that lives in a cursed house that appears to be connected with it. In And No Bird Sings (1926), two friends explore a mysterious forest into which all living things refuse to go, and discover an ancient and menacing creature living there. In Caterpillars (1912), a man recalls his awful experiences when staying in an Italian villa that begin with him having horrible nightmares about a locked room filled with giant caterpillars.

My rating: 7.5/10
My review:

♥ Ludovic Byron and his sister Sylvia had adored these pretty, though quite incredible, names because those for which their injudicious patents and godparents were responsible were not so suitable, though quite as incredible. They rightly felt that there was a lack of spiritual suggestiveness in Thomas and Caroline Carrot which would be a decided handicap in their psychical careers, and would cool rather than kindle the faith of those inquirers who were so eager to have séances with the Byrons.

♥ She was a large, emphatic widow, who received no end of messages from her husband William. He had been a choleric stockbroker on this plane, but his character had marvellously mellowed and improved, and now he knew what a waste of time it has been to make so much money and lose so much temper.

♥ For on emerging on the other side young Spinach found himself terrifyingly haunted not by the spirit, but by the body of his uncle. Just as on the material plane, so he explained, murderers are sometimes haunted by the spirit of their victim, so on the spiritual plane, quite logically, they may be haunted by the body of their victim. His uncle's bodily and palpable presence grimly pursued him wherever he went; even as he gathered sweet thought-flowers or thought-fruits, the terrible body appeared. If he woke at night he found it watching by his bed, if he bathed in the crystal rivers it swam beside him, and he had learned that he could never find peace till it was giver proper burial. No doubt, he said, Ludovic had heard of the skeletons of murdered folk being walled up in secret chambers, and how their spirits haunted the place till their bones were discovered and interred. The converse was true on the other side, and while murdered corpses lay about unburied in the material world, their bodies haunted the perpetrator of the crime.


♥ "I adore life," he said. "I find it the most entrancing plaything. It's a delightful game, and, as you know very well, the only conceivable way to play a game is to treat it extremely seriously. If you say to yourself, 'It's only a game', you cease to take the slightest interest in it. You have to know that it's only a game, and behave as if it was the one object of existence. I should like it to go on for many years yet. But all the time one has to be living on the true plane as well, which is eternity and infinity. If you come to think of it, the one thing which the human mind cannot grasp is the finite, not the infinite, the temporary, not the eternal."

"That sounds rather paradoxical," I said.

"Only because you've made a habit of thinking about things that seem bounded and limited. Look it in the face for a minute. Try to imagine finite Time and Space, and you find you can't. Go back a million years, and multiply that million of years by another million, and you find that you can't conceive of a beginning. What happened before that beginning? Another beginning and another beginning? And before that? Look at it like that, and you find that the only solution comprehensible to you is the existence of an eternity, something that never began and will never end. It's the same about space. Project yourself to the farthest star and what comes beyond that? Emptiness? Go on through the emptiness, and you can't' imagine it being finite and having an end. It must needs go on for ever: that's the only thing you can understand. There's no such thing as before or after, or beginning or end, and what a comfort that is! I should fidget myself to death if there wasn't the huge soft cushion of eternity to lean one's head against. Some people say – I believe I've heard you say it yourself – that the idea of eternity is so tiring; you feel that you want to stop. But that's because you are thinking of eternity in terms of Time, and mumbling in your brain, 'And after that, and after that?' Don't you grasp the idea that in eternity there isn't any 'after', any more than there is any 'before'? It's all one. Eternity isn't quantity: it's a quality."

.."But there is a 'before' and 'after'," I said. "A few hours ago you gave us an admirable dinner, and after that – yes, after – we played bridge. And now you are going to explain things a little more clearly to me, and after that I shall go to bed – "

He laughed.

"You shall do exactly as you like," he said, "and you shan't be a slave to Time either tonight or tomorrow morning. We won't even mention an hour for breakfast, but you shall have it in eternity whenever you awake. And as I see it is not midnight yet, we'll slip the bonds of Time, and talk quite infinitely. I will stock the clock, if that will assist you in getting rid of your illusion, and then I'll tell you a story, which to my mind, shows how unreal so-called realities are; or, at any rate, how fallacious are our senses as judges of what is real and what is not. ..But there will come a point for which I claim your consideration. You, who cling to your 'before' and 'after', has it ever occurred to you how difficult it is to say when an incident takes place? Say that a man commits some crime of violence, can we not, with a good deal of truth, say that he really commits that crime when he definitely plans and determines upon it, dwelling on it with gusto? The actual commission of it, I think we can reasonably argue, is the mere material sequel of his resolve: he is guilty of it when he makes that determination. When, therefore, in the term of 'before' and 'after', does the crime truly take place? There is also in my story a further point for your consideration. For it seems certain that the spirit of man, after the death of his body, is obliged to re-enact such a crime, with a view, I suppose we may guess, to his remorse and his eventual redemption. Those who have second sight have seen such re-enactments. Perhaps he may have done his deed blindly in this life; but then his spirit re-commits it with its spiritual eyes open, and able to comprehend its enormity. So, shall we view the man's original determination and the material commission of his crime only as preludes to the real commission of it, when with eyes unsealed he does it and repents of it?"

♥ "I told him what I thought I had seen, and he assured me that no such accident had taken place.

"It was clear then to my own mind that I had seen the second act, so to speak, in this psychical drama, and I pondered next morning over the problem as to what I should do. Already I had glanced at the morning paper, which, as I knew would be the case, contained no mention whatever of what I had seen. The thing had certainly not happened, but I knew in myself that it would happen. The flimsy veil of Time had been withdrawn from my eyes, and I had seen into what you would call the future. In terms of Time of course it was the future, but from my point of view the thing was just as much in the past as it was in the future. It existed, and waited only for its material fulfillment. The more I thought about it, the more I saw that I could do nothing."

I interrupted his narrative.

"You did nothing?" I exclaimed "Surely you might have taken some step in order to try to avert the tragedy."

He shook his head.

"What step precisely?" he said. "Was I to go to Sir Henry and tell him that once more I had seen him in the tube in the act of committing suicide? Look at it like this. Either what I had seen was pure illusion, pure imagination, in which case it had no existence or significance at all, or it was actual and real, and essentially it had happened. Or take it, though not very logically, somewhere between the two. Say that the idea of suicide, for some cause of which I knew nothing, had occurred to him or would occur. Should I not, if that was the case, be doing a very dangerous thing, by making such a suggestion to him? Might not the fact of my telling him what I had seen put the idea into his mind, or, if it was already there, confirm it and strengthen it? 'It's a ticklish matter to play with souls,' as Browning says."

"But it seems so inhuman not to interfere in any way," said I, "not to make any attempt."

"What interference?" asked he. "What attempt?"

The human instinct in me still seemed to cry aloud at the thought of doing nothing to avert such a tragedy, but it seemed to be beating itself against something austere and inexorable. And cudgel my brain as I would, I could not combat the sense of what he had said. I had no answer for him, and he went on.

"You must recollect, too," he said, "that I believed then and believe now that the thing had happened. The cause of it, whatever that was, had began to work, and the effect, in this material sphere, was inevitable. That is what I alluded to when, at the beginning of my story, I asked you to consider how difficult it was to say when an action took place. You still hold that this particular action, this suicide of Sir Henry, had not yet taken place, because he had not yet thrown himself under the advancing train. To me that seems a materialistic view. I hold that in all but the endorsement of it, so to speak, it had taken place. I fancy that Sir Henry, for instance, now free from the material dusks, knows that himself."

♥ As he spoke there came from the panelling above the chimney-piece one loud shattering crack, and the cold wind again circled about my head. I found myself shrinking back in my chair with my hands held in front of me as instinctively I screened myself against something which I knew was there but which I could not see. Every sense told me that there was a presence in the room other than mine and Anthony's, and the horror of it was that I could not see it. Any vision, however terrible, would, I felt, be more tolerable than this clear certain knowledge that close to me was this invisible thing. And yet what horror might not be disclosed of the face of the dead and the crushed chest... But all I could see, as I shuddered in this cold wind, was the familiar walls of the room, and Anthony standing in front of me stiff and firm, making, as I knew, a call on his courage. His eyes were focused on something quite close to him, and some semblance of a smile quivered on his mouth. And the he spoke again.

"Yes, I know you," he said. "And you want something of me. Tell me, then, what it is."

There was absolute silence, but what was silence to my ears could not have been so to his, for once or twice he nodded, and once he said, "Yes: I see. I will do it.' And with the knowledge that, even as there was someone here whom I could not see, so there was speech going on which I could not hear, this terror of the dead and of the unknown rose in me with the sense of powerlessness to move that accompanies nightmare. I could not stir, I could not speak. I could only strain my ears for the inaudible and my eyes to the unseen, while the cold wind from the very valley of the shadow of death streamed over me. It was not that the presence of death itself was terrible; it was that from its tranquility and serene keeping there had been driven some unquiet soul unable to rest in peace for whatever ultimate awakening rouses the countless generations of those who have passed away, driven, no less, from whatever activities are theirs, back into the material world from which it should have been delivered. Never, until the gulf between the living and the dead was thus bridged, had it seemed so immense and so unnatural. It is possible that the dead may have communication with the living, and it was not that exactly that so terrified me, for such communication, as we know it, comes voluntarily from them. But here was something icy-cold and crime-laden, that was chased back from the peace that would not pacify it.

..And now, too, gradually and by awful degrees I began to see....

There came an outline of shadow across the chimney-piece and the panels above it. It took shape: it fashioned itself into the outline of a man. Within the shape of the shadow details began to form themselves, and I saw wavering in the air, like something concealed by haze, the semblance of a face, stricken and tragic, and burdened with such a weight of woe as no human face had ever worn. Next, the shoulders outlined themselves, and a stain livid and red spread out below them, and suddenly the vision leaped into clearness. There he stood, the chest crushed in and drowned in the red stain, from which broken ribs, like the bones of a wrecked ship, protruded. The mournful, terrible eyes were fixed on me, and it was from them, so I knew, that the bitter wind proceeded.

.."You were talking to somebody, not to me," I said. "Who was it? What was it?"

He passed the back of his hand over his forehead, which glistened in the light.

"A soul in hell," he said. "..I have talked to a soul in the hell of remorse, which is the only possible hell."

~~In the Tube.

♥ The little village of St Faith's nestles in a hollow of wooded hill up on the north bank of the river Fawn in the country of Hampshire, huddling close round its grey Norman church as if for spiritual protection against the fays and fairies, the trolls and "little people", who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labour among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping round corners, gives you the sense that many presences and companions are near at hand.

Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as Nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plough her seas, the inhabitants of St Faith's will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread.

♥ "..Money? You roll in it, I suppose, and, O Darcy, how much happiness have you had all these years? That is the only imperishable possession. And how much have you learned?"

♥ The stars had begun to appear in the blue velvet of the sky, and to the east the horizon seen above the black silhouette of the village was growing dove-coloured with the approach of moon-rise. White moths hovered dimly over the garden-beds, and the footsteps of night tip-toed through the bushes. Suddenly Frank rose.

"Ah, it is the supreme moment," he said softly. "Now more than at any other time the current of life, the eternal imperishable current runs so close to me that I am almost enveloped in it."

♥ "Now all my life I have believed that we are intended to be happy, that joy is of all gifts the most divine. And when I lefvt London, abandoned my career, such as it was, I did so because I intended to devote my life to the cultivation of joy, and, by continuous and unsparing effort, to be happy. Among people, and in constant intercourse with others, I did not find it possible; there were too many distractions in towns and work-rooms, and also too much suffering. So I took one step backwards or forwards, as you may choose to put it, and went straight to Nature, to trees, to birds, animals, to all those things which quite clearly pursue one aim only, which blindly follow the great native instinct to be happy without any care at all for morality, or human law or divine law. I wanted, you understand, to get all joy first-hand and unadulterated, and I think it scarcely exists among men; it is obsolete."

Darcy turned in his chair.

"Ah, but what makes birds and animals happy?" he asked. "Food, food and mating."

Frank laughed gently in the stillness.

"Do not think I became a sensualist," he said. "I did not make that mistake. For the sensualist carries his miseries pick-a-back, and round his feet is wound the shroud that shall soon enwrap him. I may be mad, it is true, but I am not so stupid anyhow as to have tried that. No, what is it that makes puppies play with their own tails, that sends cats on their prowling ecstatic errands at night?"

He paused a moment.

"So I went to Nature," he said. "I sat down here in this New Forest, sat down fair and square, and looked. That was my first difficulty, to sit here quiet without being bored, to wait without being impatient, to be receptive and very alert, though for a long time nothing particular happened. The change in fact was slow in those early stages.

.."..Well, that was my first quest," he continued, after a moment, "the deliberate and unswerving pursuit of joy, and my method, the eager contemplation of Nature. As far as motive went, I dare say it was purely selfish, but as far as effect goes, it seems to me about the best thing one can do for one's fellow-creatures, for happiness is more infectious than small-pox. So, as I said, I sat down and waited. I looked at happy things, zealously avoided the sight of anything unhappy, and by degrees a little trickle of the happiness of this blissful worlds began to filter into me. The trickle grew more abundant, and now, my dear fellow, if I could for a moment divert from me into you one half of the torrent of joy that pours through me day and night, you would throw the world, art, everything aside, and just live, exist. When a man's body dies, it passes into trees and flowers. Well, that is what I have been trying to do with my soul before death."

♥ "Oh, how I should have resented that a few years ago," he said. "Thank goodness that resentment is one of those things I have got rid of. I certainly wish that you should believe my story – in fact, you are going to – but that you at this moment should imply that you do not does not concern me."

"Ah, your solitary sojournings have made you inhuman," said Darcy, still very English.

"No, human," said Frank. "Rather more human, at least rather less of an ape."

♥ "Well, for the moment I was terrified, terrified with the impotent horror of nightmare, and I stopped my ears and just ran from the place and got back to the house panting, trembling, literally in a panic. Unknowingly, for at that time I only pursued joy, I had begun, since I drew my joy from Nature, to get in touch with Nature. Nature, force, God, call it what you will, had drawn across my face a little gossamer web of essential life. I saw that when I emerged from my terror, and I went very humbly back to where I had heard the Pan-pipes. But it was nearly six months before I heard them again."

"Why was tat?" asked Darcy.

"Surely because I had revolted, rebelled, and worst of all been frightened. For I believe that just as there is nothing in the world which so injures one's body as fear, so there is nothing that so much shuts up the soul. I was afraid, you see, of the one thing in the world which has real existence."

♥ "..And one more thing will happen."

He paused again, and a slight look of fear crossed his eyes.

"There will be a final revelation," he said, "a complete and blinding stroke which will throw open to me, once and for all, the full knowledge, the full realisation and comprehension that I am one, just as you are, with life. In reality there is no 'me', no 'you', no 'it'. Everything is part of the one and only thing which is life. I know that that is so, but the realisation of it is not yet mine. But it will be, and on that day, so I take it, I shall see Pan. It may mean death, the death of my body, that is, but I don't care. It may mean immortal, eternal life lived here and now and for ever. Then having gained that, ah, my dear Darcy, I shall preach such a gospel of joy, showing myself as the living proof of the truth, that Puritanism, the dismal religion of sour faces, shall vanish like a breath of smoke, and be dispersed and disappear in the sunlit air. But first the full knowledge must be mine."

Darcy watched his face narrowly.

"You are afraid of that moment," he said. Frank smiled at him.

"Quite true; you are quick to have seen that. But when it comes I hope I shall not be afraid."

♥ Somehow that little touch, his obvious effort to recall where he had slept, brought strangely home to Darcy the wonderful romance of which he was the still half-incredulous beholder. Sleep till close on dawn in a hammock, then the tramp – or probably scamper – underneath the windy and weeping heavens to the remote and lonely meadow by the weir! The picture of other such nights rose before him; Frank sleeping perhaps by the bathing-place under the filtered twilight of the stars, or the white blaze of moon-shine, a stir and awakening at some dead hour, perhaps a space of silent wide-eyed thought, and then a-wandering through the hushed woods to some other dormitory, alone with his happiness, alone with the joy and the life that suffused and enveloped him, without other thought or desire or aim except the hourly and never-ceasing communion with the joy of nature.

♥ "I've got it," he said. "At last I've got it. ..The radical unsoundness of your idea. It is this: 'All Nature from highest to lowest is full, crammed full of suffering; every living organism in Nature preys on another, yet in your aim to get close to, to be one with Nature, you leave suffering altogether out; you run away from it, you refuse to recognise it. And you are waiting, you say, for the final revelation.'" ..Cannot you guess then when the final revelation will be? In joy you are supreme, I grant you that; I did not know a man could be so master of it. You have learned perhaps practically all that Nature can teach. And if, as you think, the final revelation is coming to you, it will be the revelation of horror, suffering, death, pain in all its hideous forms. Suffering does exist: you hate it and fear it."

.."That never struck me," he said at length. "It is possible that what you suggest is true. Does the sight of Pan mean that, do you think? Is it that Nature, take it altogether, suffers horribly, suffers to a hideous inconceivable extent? Shall I be shown all the suffering? ..If it is so, so be it," he said. "Because, my dear fellow, I am near, so splendidly near to the final revelation. Today the pipes have sounded almost without pause. I have even heard the rustle in the bushes, I believe, of Pan's coming. I have seen, yes, I saw today, the bushes pushed aide as if by a hand, and piece of a face, not human, peered through. But I was not frightened, at least I did not run away this time. ..Yes, there is suffering all through," he said, "and I have left it all out of my search. Perhaps, as you say, the revelation will be that. And in that case, it will be goodbye. I have gone on one line. I shall have gone too far along one road, without having explored the other. But I can't go back now. I wouldn't if I could; not a step would I retrace! In any case, whatever the revelation is, it will be God. I'm sure of that."

~~The Man Who Went Too Far.

♥ which date, though still in middle life, he resigned his Physiological Professorship at Cambridge University, and devoted himself to the study of those occult and curious phenomena which seem equally to concern the physical and the psychical sides of human nature. Indeed his retirement was not unconnected with his passion for the strange uncharted places that lie on the confines and borders of science, the existence of which is so stoutly denied by the more materialistic minds, for her advocated that all medical students should be obliged to pass some sort of examination in mesmerism, and that one of the tripos papers should be designed to test their knowledge in such subjects as appearances at time of death, haunted houses, vampirism, automatic writing, and possession.

"Of course they wouldn't listen to me," ran his account of the matter, "for there is nothing that these seats of learning are so frightened of as knowledge, and the road to knowledge lies in the study of things like these. The functions of the human frame are, broadly speaking, known. They are a country, anyhow, that has been charted and mapped out. But outside that lie huge tracts of undiscovered country, which certainly exist, and the real pioneers of knowledge are those who, at the cost of being derided as credulous and superstitious, want to push on into those mists than by sitting in a cage like a canary and chirping about what was known. Besides, teaching is very very bad fore a man who knows himself only to be a learner: you only need to be a self-conceited ass to teach."

♥ Urcombe, on this occasion, had been with me for some half-hour before Mrs. Amworth's appearance, and had been talking to me about the mediaeval beliefs concerning vampirism, one of those borderland subjects which he declared had not been sufficiently studied before it had been consigned by the medical profession to the dustheap of exploded superstitions. There he sat, grim and eager, tracing with that pellucid clearness which had made him in his Cambridge days so admirable a lecturer, the history of those mysterious visitations. In them all there were the same general features: one of those ghoulish spirits took up its abode in a living man or woman, conferring supernatural powers of bat-like flight and glutting itself with nocturnal blood-feasts. When its host died it continued to dwell in the corpse, which remained undecayed. By day it rested, by night it left the grave and went on its awful errands. No European country in the Middle Ages seemed to have escaped them; earlier yet, parallels were to be found in Roman and Greek and in Jewish history.

"It's a large order to set all that evidence aside as being moonshine," he said. "Hundreds of totally independent witnesses in many ages have testified to the occurrence if these phenomena, and there's no explanation known to me which covers all the facts. And if you feel inclined to say 'Why, then, if these are facts, do we not come across them now?' there are two answers I can make you. One is that there were diseases known in the Middle Age s, such as the black death, which were certainly existent then and which have become extinct since, but for that reason we do not assert that such diseases never existed. Just as the black death visited England and decimated the population of Norfolk, so here in this very district about three hundred years ago there was certainly an outbreak of vampirism, and Maxley was the centre of it. My second answer is even more convincing, for I tell you that vampirism is by no means extinct."

♥ "Ah, this delicious night air," she said, luxuriously sniffing in the coolness. "Night air and gardening are the great tonics. There is nothing so stimulating as bare contact with rich mother earth. You are never so fresh as when you have been grubbing in the soul—black hands, black nails, and boots covered with mud." She gave her great jovial laugh.

"I'm a glutton for air and earth," she said. "Positively I look forward to death, for then shall I be buried and have the kind earth all round me. No leaden caskets for me—I have given explicit directions. But what shall I do about air? Well, I suppose one can't have everything."

~~Mrs. Amworth.

♥ But occasionally it is not so easy to find such an explanation, and for the following story I can find no explanation at all. It came out of the dark, and into the dark it has gone again.

♥ I got up ad followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs Stone, whose grave with the sinister inscription, 'In Evil Memory', I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar.

~~The Room in the Tower.

♥ "But why you go ghost-seeking I cannot imagine," he said, "because your teeth were chattering and your eyes starting out of your head all the time you were there, from sheer fright. Or do you like being frightened?"

Hugh, though generally intelligent, is dense in certain ways; this is one of them.

"Why, of course, I like being frightened," I said. "I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid."

♥ Yet there ought to have been nothing frightening about it; what I saw was certainly a most useful and friendly ghost. But it came from the shaded side of things; it looked suddenly out of the night and the mystery with which life is surrounded.

♥ "..Imagine then that you and I and everybody in the world are like people whose eye is directly opposite a little tiny hole in a sheet of cardboard which is continually shifting and revolving and moving about. Back to back with that sheet of cardboard is another, which also, by laws of its own, is in perpetual but independent motion. In it too there is another hole, and when, fortuitously it would seem, these two holes, the one through which we are always looking, and the other in the spiritual plane, come opposite one another, we see through, and then only do the sights and sounds of the spiritual world become visible or audible to us. With most people these holes never come opposite each other during their life. But at the hour of death they do, and then they remain stationary. That, I fancy, is how we 'pass over'."

♥ "Go on, please, and slowly," I said. "Brevity may be the soul of wit, but it is the ruin of story-telling."

~~The Bus-Conductor.

♥ Such isolation of a little community continued, as it has been, for centuries, produces isolation in the individual as well, and nowhere will you find greater independence of character than among the people of Polearn. But they are linked together, so it has always seemed to me, by some mysterious comprehension: it is as if they had all been initiated into some ancient rite, inspired and framed by forces visible and invisible. The winter storms that batter the coast, the vernal spell of the spring, the hot, still summers, the season of rains and autumnal decay, have made a spell which, line by line, has been communicated to them, concerning the powers, evil and good, that rule the world, and manifest themselves in ways benignant or terrible....

♥ ..I would go back there not to leave it again. And yet I did leave it again, and now nothing in the world would induce me to turn down the lane from the road that leads from Penzance to the Land's End, and see the sides of the combe rise steep above the roofs of the village and hear the gulls chiding as they fish in the bay. One of the things invisible, of the dark powers, leaped into light, and I saw it with my eyes.

♥ "..Or else I will leave you: one of the main reasons of my stopping here all these years was a feeling that I must not let the old house starve. Houses starve, you know, if they are not lived in. They die a lingering death; the spirit in them grows weaker and weaker, and at last fades out of them. Isn't this nonsense to your London notions?..."

♥ That, as much as anything, brought back the old days to which I had now returned, and they seemed of one piece with the present, as if no gap of more than twenty years sundered them. The two flowed into one like globules of mercury uniting into a softly shining globe, of mysterious lights and reflections.

♥ It was sufficient now as then to be here, to wander again on the cliffs, and hear the popping of the ripened seed-pods on the gorse-bushes; to stray along the shore to the bathing-cove, to float and drift and swim in the warm tide, and bask on the sand, and watch the gulls fishing, to lounge on the pier-head with the fisher-folk, to see in their eyes and hear in their quiet speech the evidence of secret things not so much known to them as part of their instincts and their very being. There were powers and presences about me; the white poplars that stood by the stream that babbled down the valley knew of them, and showed a glimpse of their knowledge sometimes, like the gleam of their white under-leaves; the very cobbles that paved the street were soaked in it....All that I wanted was to lie there and grow soaked in it too; unconsciously, as a boy, I had done that, but now the process must be conscious. I must know what stir of forces, fruitful and mysterious, seethed along the hill-side at noon, and sparkled at night on the sea. They could be known, they could even be controlled by those who were masters of the spell, but never could they be spoken of, for they were dwellers in the innermost, grafted into the eternal life of the world. There were dark secrets as well as these clear, kindly powers, and to these no doubt belonged the negotium perambulans in tenebris which, though of deadly malignity, might be regarded not only as evil, but as the avenger of sacrilegious and impious deeds....All this was part of the spell of Polearn, of which the seeds had long lain dormant in me. But now they were sprouting, and who knew what strange flower would unfold on their stems?

♥ He was justified in his own estimate of his skill: he could paint (and apparently he could paint anything), but never have I seen pictures so inexplicably hellish. There were exquisite studies of trees, and you knew that something lurked in the flickering shadows. There was a drawing of his cat sunning itself in the window, even as I had just now seen it, and yet it was no cat but some beast of awful malignity. There was a boy stretched naked on the sands, not human, but some evil thing which had come out of the sea. Above all there were pictures of his garden overgrown and jungle-like, and you knew that in the bushes were presences ready to spring out on you....

♥ The Thing had entered and now was swiftly sliding across the floor towards him, like some gigantic caterpillar. A stale phosphorescent light came from it, for though the dusk had grown to blackness outside, I could see it quite distinctly in the awful light of its own presence. From it too there came an odour of corruption and decay, as from slime that has long lain below water. It seemed to have no head, not on the front of it was an orifice of puckered skin which opened and shut and slavered at the edges. It was hairless, and slug-like in shape and in texture. As it advanced its fore-part reared itself from the ground, like a snake about to strike, and it fastened on him....

At that sight, and with the yells of his agony in my ears, the panic which had stuck me relaxed into a hopeless courage, and with palsied impotent hands I tried to lay hold of the Thing. But I could not: though something material was there, it was impossible to grasp it; my hands sunk in it as in thick mud. It was like wrestling with a nightmare.

I think that but a few seconds elapsed before all was over. The screams of the wretched man sank to moans and muttering as the Thing fell on him: he panted once or twice and was still. For a moment longer there came gurglings and sucking noises, and then it slid out even as it had entered. I lit the lamp which he had fumbled with, and there on the floor he lay, no more than a rind of skin in loose folds over projecting bones.

~~Negotium Perambulans.

♥ It was one of those golden days which every now and again leak out of paradise and drip to earth. Spring had been late in coming, but now it was here with a burst, and the whole world was boiling with the sap of life. Never have I seen such a wealth of spring flowers, or such vividness of green, or heard such melodious business among the birds in the hedgerows; this walk through the meadows was a jubilee of festal ecstasy. And best of all, so I promised myself, would be the passage through the wood newly fledged with milky green that lay just ahead. There was the gate, just facing me, and I passed through it into the dappled lights and shadows of the grass-grown track.

♥ We left them there and, in the sunset light which was now beginning to fade, began the passage. Usually the sense of eeriness disappears if one has a companion, but now to me, even with Hugh walking by my side, the place seemed even more uncanny than it had done that afternoon, and a sense of intolerable uneasiness, that grew into a sort of walking nightmare, obsessed me. I had thought before that the silence and loneliness of it had played tricks with my nerves; but with Hugh here it could not be that, and indeed I felt that it was not any such notion that lay at the root of this fear, but rather the conviction that there was some presence lurking there, invisible as yet, but permeating the gathered gloom. I could not form the slightest idea of what it might be, or whether it was material or ghostly; all I could diagnose of it from my own sensations was that it was evil and antique.

♥ The thing, whatever it was, had vanished among the trees to the left of where our path lay, and in silence we walked across the open till we came to where it entered tunnel-like among the trees. Frankly I hated and feared the thought of plunging into that darkness with the knowledge that not so far off there was something the nature of which I could not ever so faintly conjecture, but which, I now made no doubt, was that which filled the wood with some nameless terror. Was it material, was it ghostly, or was it (and now some inkling of what Hugh meant began to form itself into my mind) some being that lay on the borderland between the two? Of all the sinister possibilities that appeared the most terrifying.

As we entered the trees again I perceived that reek, alive and yet corrupt, which I had smelt before, but now it was far more potent, and we hurried on, choking with the odour that I now guessed to be not the putrescence of decay, but the living substance of that which crawled and reared itself in the darkness of the wood where no bird would shelter. Somewhere among those trees lurked the reptilian thing that defied and yet compelled credence.

♥ I have never known the sensation of such utter loneliness. I knew that Hugh was walking parallel with me, only fifty yards away, and if I hung on my step I could faintly hear his tread among the beech-leaves. But I felt as if I was quite sundered in this dim place from all companionship of man; the only live thing that lurked here was that monstrous mysterious creature of evil. So thick were the trees that I could not see more than a dozen yards in any direction; all places outside the wood seemed infinitely remote, and infinitely remote also everything that had occurred to me in normal human life. I had been whisked out of all wholesome experiences into this antique and evil place. The rain had ceased, it whispered no longer in the tree-tops, testifying that there did exist a world and a sky outside, and only a few drops from above pattered on the beech-leaves.

~~And No Bird Sings.

♥ I arrived just in time for lunch on a brilliant noon of mid-May. The garden was shouting with colour and fragrance, and not less delightful after my broiling walk up from the marina, should have been the coming from the reverberating heat and blaze of the day into the marble coolness of the villa. Only (the reader has my bare word for this, and nothing more), the moment I set foot in the house I felt that something was wrong. This feeling, I may say, was quite vague, though very strong, and I remember that when I saw letters waiting for me on the table in the hall I felt certain that the explanation was here: I was convinced that there was bad news of some sort for me. Yet when I opened them I found no such explanation of my premonition: my correspondents all reeked of prosperity. Yet this clear miscarriage of a presentiment did not dissipate my uneasiness. In that cool fragrant house there was something wrong.

♥ A curious grey light, not of dawn nor of moonshine, came out of it, and I looked in. The bed stood just opposite the door, a big four-poster, hung with tapestry at the head. Then I saw that the greyish light of the bedroom came from the bed, or rather from what was on the bed. For it was covered with great caterpillars, a foot or more in length, which crawled over it. They were faintly luminous, and it was the light from them that showed me the room. Instead of the sucker-feet of ordinary caterpillars they had rows of pincers like crabs, and they moved by grasping what they lay on with their pincers, and then sliding their bodies forward. In colour these dreadful insects were yellowish-grey, and they were covered with irregular lumps and swellings. There must have been hundreds of them, for they formed a sort of writhing, crawling pyramid on the bed Occasionally one fell off on to the floor, with a soft fleshy thud, and though the floor was of hard concrete, it yielded to the pincer feet as if it had been putty, and, crawling back, the caterpillar would mount on to the bed again, to rejoin its fearful companions. They appeared to have no faces, so to speak, but at one end of them there was a mouth that opened sideways in respiration.

..But at the moment when I threw the pill-box into the fountain, I lost my head: my only excuse is that, as is probably plain, the tenant of it was, in miniature, exactly what I had seen crowded on to the bed in the unoccupied room. And though this translation of those phantoms into flesh and blood – or whatever it is that caterpillars are made of – ought perhaps to have relieved the horror of the night, as a matter of fact it did nothing of the kind. It only made the crawling pyramid that covered the bed in the unoccupied room more hideously real.

Tags: 1900s - fiction, 1910s - fiction, 1920s - fiction, 1st-person narrative, 20th century - fiction, 3rd-person narrative, art (fiction), british - fiction, crime, death (fiction), dreams (fiction), fiction, ghost stories, horror, insects (fiction), literature, monster fiction, mystery, nature (fiction), paranormal investigations (fiction), philosophical fiction, religion (fiction), religion - paganism (fiction), short stories, suicide (fiction), time travel fiction, trains and locomotives (fiction), vampire fiction

  • Post a new comment


    default userpic

    Your reply will be screened

    When you submit the form an invisible reCAPTCHA check will be performed.
    You must follow the Privacy Policy and Google Terms of use.