Margot (midnight_birth) wrote in margot_quotes,

The Great God Pan by Arthur Machen. (2/2)


Title: The Great God Pan.
Author: Arthur Machen.
Genre: Literature, fiction, fantasy, horror, occult.
Country: Wales.
Language: English.
Publication Date: 1894, 1895, 1904 (this collection 2018).
Summary: The collection includes a novella, and 3 short stories. (The 3 short stories in this post, refer to PART 1 for the novella). In The Novel of the White Powder (1895), an ill and despondent man begins taking a new prescription which helps him an enormous amount, but his sister soon begins to suspect it's having horrifying, inhuman effects on him, as well. In The White People (written 1890s, published 1904) by Arthur Machen, after having a discussion of the nature of evil, a man lends his friend a diary of a young girl where she describes in obscure but evocative prose her strange impressions of the countryside in which she lives, as well as conversations with her nurse, who initiates her into a secret world of folklore and black magic.

My rating: 8.5/10.
My review:

♥ "No, I think I will take a turn; it seems a pleasant evening. Look at the afterglow; why, it is as of a great city were burning in flames, and down there between the dark houses it is raining blood fast, fast. Yes, I will go out; I may be in soon, but I shall take my key; so good-night, dear, if I don't see you again."

The door slammed behind him, and I saw him walk lightly down the street, swinging his malacca cane, and I felt grateful to Dr Haberden for such an improvement.

..But by degrees there came a change; he returned still in the cold hours of the morning, but I heard no more about his pleasures, and one morning as we sat at breakfast together I looked suddenly into his eyes and saw a stranger before me.

"Oh, Francis!" I cried. "Oh, Francis, Francis, what have you done?" and rending sobs cut the words short. I went weeping out of the room; for though I knew nothing, yet I knew all, and by some odd play of thought I remembered the evening when he first went abroad, and the picture of the sunset sky glowed before me; the clouds like a city in burning flames, and the rain of blood.

..We had dined without candles; the room had slowly grown from twilight to gloom, and the walls and corners were indistinct in the shadow. But from where I sat I looked out into the street; and as I thought of what I would say to Francis, the sky began to flush and shine, as it had done on a well-remembered evening, and in the gap between two dark masses that were houses an awful pageantry of flame appeared – lurid whorls of writhed cloud, and utter depths burning, grey masses like the fume blown from a smoking city, and an evil glory blazing far above shot with tongues of more ardent fire, and below as if there were a deep pool of blood. I looked down to where my brother sat facing me, and the words were shaped on my lips, when I saw his hand resting on the table. Between the thumb and forefinger of the closed hand there was a mark, a small patch about the size of a sixpence, and somewhat of the colour of a bad bruise. Yet, by some sense I cannot define, I knew that what I saw was no bruise at all; oh! if human flesh could burn with flame, and if flame could be black as pitch, such was that before me. Without thought or fashioning of words grey horror shaped within me at the sight, and in an inner cell it was known to be a brand. For a moment the stained sky became dark as midnight, and when the light returned to me I was alone in the silent room; and soon after I heard my brother go out.

♥ There was an unutterable horror shining in [Dr Haberden]'s eyes; he steadied himself by holding the back of a chair with one hand, his lower lip trembled like a horse's, and he gulped and stammered unintelligible sounds before he spoke.

"I have seen that man," he began in a dry whisper. "I have been sitting in his presence for the last hour. My God! And I am alive and in my senses! I, who have dealt with death all my life, and have dabbled with the melting ruins of the earthly tabernacle. But not this, oh! not this," and he covered his face with his hands as if to shut out the sight of something before him.

"Do not send for me again, Miss Leicester," he said with more composure. "I can do nothing in this house, Good-bye."

♥ From that day it seemed as if the arbitrary conception we call time had been annihilated for me; I lived in an ever-present sense of horror, going through the routine of the house mechanically, and only speaking a few necessary words to the servants. Now and then I went out and paced the streets for an hour or two and came home again; but whether I were without or within, my spirit delayed before the closed door of the upper room, and, shuddering, waited for it to open. I have said that I scarcely reckoned time; but I suppose it must have been a fortnight after Dr Haberden's visit that I came home from my stroll a little refreshed and lightened. The air was sweet and pleasant, and the hazy form of green leaves, floating cloud-like in the square, and the smell of blossoms, had charmed my senses, and I felt happier and walked more briskly. As I delayed a moment at the verge of the pavement, waiting for a van to pass by before crossing over to the house, I happened to look up at the windows, and instantly there was the rush and swirl of deep cold waters in my ears, my heart leapt up, and fell down, down as into a deep hollow, and I was amazed with a dread and terror without form or shape. I stretched out a hand blindly through folds of thick darkness, from the black and shadowy valley, and held myself from falling, while the stones beneath my feet rocked and swayed and tilted, and the sense of solid things seemed to sink away from under me. I had glanced up at the window of my brother's study and at that moment the blind was drawn aside, and something that had life stared out into the world. Nay, I cannot say I saw a face or any human likeness; a living thing, two eyes of burning flame glared at me, and they were in the midst of something as formless as my fear, the symbol and presence of all evil and all hideous corruption. I stood shuddering and quaking as with the grip of ague, sick with unspeakable agonies of fear and loathing, and for five minutes I could not summon force or motion to my limbs.

..And as I sat still, conscious that there had been something else, something I had seen in the first flash of terror, before those burning eyes had looked at me. Suddenly I remembered; as I lifted my face the blind was being drawn back, and I had had an instant's glance of the thing that was moving it, and in my recollection I knew that a hideous image was engraved for ever on my brain. It was not a hand. There were no fingers that held the blind, but a black stump pushed it aside, the mouldering outline and the clumsy movement as of a beast's paw had flowed into my senses before the darkling waves of terror had overwhelmed me as I went down quick into the pit. My mind was aghast at the thought of this, and of the awful presence that dwelt with my brother in his room...

♥ I looked, and a pang of horror seized my heart as with a white-hot iron. There upon the floor was a dark and putrid mass, seething with corruption and hideous rottenness, neither liquid nor solid, but melting and changing before our eyes, and bubbling with unctuous oily bubbles like boiling pitch. And out of the midst of it shone two burning points like eyes, and I saw a writhing and stirring as of limbs, and something moved and lifted up what might have been an arm. The doctor took a step forward, raised the iron bar and struck at the burning points; he drove in the weapon, and struck again and again in a fury of loathing.

♥ "..We have laughed together heartily, and I think justly, at the "occult" follies of the day, disguised under various names – the mesmerisms, spiritualisms, materializations, theosophies, all the rabble rout of imposture, with their machinery of poor tricks and feeble conjuring, the true back-parlour magic of shabby London streets. Yet, in spite of what I have said, I must confess to you that I am no materialist, taking the word of course in its usual signification. It is now many years since I have convinced myself - convinced myself, a sceptic, remember – that the old ironbound theory is utterly and entirely false. Perhaps this confession will not wound you so sharply as it would have done twenty years ago; for I think you cannot have failed to notice that for some time hypotheses have been advanced by men of pure science which are nothing less than transcendental, and I suspect that most modern chemists and biologists of repute would not hesitate to subscribe the dictum of the old Schoolman, Omnia exeunt in mysterium, which means, I take it, that every branch of human knowledge if traced up to its source and final principles vanishes into mystery. I need not trouble you now with a detailed account of the painful steps which led me to my conclusions; a few simple experiments suggested a doubt as to my then standpoint, and a train of thought that rose from circumstances comparatively trifling brought me far; my old conception of the universe has been swept away, and I stand in a world that seems as strange and awful to me as the endless waves of the ocean seen for the first time, shining, from a peak in Darien. Now I know that the walls of sense that seemed so impenetrable, that seemed to loom up above the heavens and to be founded below the depths, and to shut us in for evermore, are no such everlasting impassable barriers as we fancied, but thinnest and most airy veils that melt away before the seeker, and dissolve as the early mist of the morning about the brooks. I know that you never adopted the extreme materialistic position; you did not go about trying to prove a universal negative, for your logical sense withheld you from that crowning absurdity; but I am sure that you will find all that I am saying strange and repellent to your habits of thought. Yes, Haberden, what I tell you is the truth, nay, to adopt our common language, the sole and scientific truth, verified by experience; and the universe is verily more splendid and more awful than we used to dream. The whole universe, my friend, is a tremendous sacrament; a mystic, ineffable force and energy, veiled by an outward form of matter; and man, and the sun and the other stars, and the flower of the grass, and the crystal in the test-tube, are each and every one as spiritual, as material, and subject to an inner working.

"You will perhaps wonder, Haberden, whence all this tends; but I think a little thought will make it clear. You will understand that from such a standpoint the whole view of things is changed, and what we thought incredible and absurd may be possible enough. In short, we must look at legend and belief with other eyes, and be prepared to accept tales that had become mere fables. Indeed, this is no such great demand. After all, modern science will concede as much, in a hypocritical manner; you must not, it is true, believe in witchcraft, but you may credit hypnotism; ghosts are out of date, but there is a good deal to be said for the theory of telepathy. Give a superstition a Greek name, and believe in it, should almost be a proverb."

♥ "..The white powder you sent me is something very different from the drug you prescribed; it is the powder from which the wine of the Sabbath, the Vinum Sabbati, was prepared. No doubt you have read of the Witches' Sabbath, and have laughed at the tales which terrified our ancestors; the black cats, and the broomsticks, and dooms pronounced against some old woman's cow. Since I have known the truth I have often reflected that it is on the whole a happy thing that such burlesque as this is believed, for it serves to conceal much that it is better should not be known generally. However, if you care to read the appendix to Payne Knight's monograph, you will find that the true Sabbath was something very different, though the writer has very nicely refrained from printing all he knew. The secrets of the true Sabbath was something very different, though the writer has very nicely refrained from printing all he knew. The secrets of the true Sabbath were the secrets of remote times surviving into the Middle Ages, secrets of an evil science which existed long before Aryan man entered Europe. Men and women, seduced from their homes on specious pretences, were met by beings well qualified to assume, as they did assume, the part of devils, and taken by their guides to some desolate and lonely place, known to the initiate by long tradition, and unknown to all else. Perhaps it was a cave in some bare and wind-swept hill, perhaps some inmost recess of a great forest, and there the Sabbath was held. There, in the blackest hour of night, the Vinum Sabbati was prepared, and this evil graal was poured forth and offered to the neophytes, and they partook of an infernal sacrament; sumentes calicem principis inferorum, as an old author well expresses it. And suddenly, each one that had drunk found himself attended by a companion, a shape of glamour and unearthly allurement, beckoning him apart, to share in joys more exquisite, more piercing than the thrill of any dream, to the consummation of the marriage of the Sabbath. It is hard to write of such things as these, and chiefly because that shape that allured with loveliness was no hallucination, but, awful as it is to express, the man himself. By the power of that Sabbath wine, a few grains of white powder thrown into a glass of water, the house of life was riven asunder and the human trinity dissolved, and the worm which never dies, that which lies sleeping within us all, was made tangible and an external thing, and clothed with a garment of flesh. And then, in the hour of midnight, the primal fall was repeated and re-presented, and the awful thing veiled in the mythos of the Tree in the Garden was done anew. Such was the nuptiæ Sabbati."

~~Novel of the White Powder.

♥ "..If I recollect the phrase correctly, I hinted that you shrank from the chance of encountering primitive man in this whirling and mysterious city, and I meant exactly what I said. Who can limit the age of survival? The troglodyte and the lake-dweller, perhaps representatives of yet darker races, may very probably be lurking in our midst, rubbing shoulders with frock-coated and finely-draped humanity, ravening like wolves at heart and boiling with the foul passions of the swamp and the black cave. Now and then as I walk in Holborn or Fleet Street I see a face which I pronounce abhorred, and yet I could not give a reason for the thrill of loathing that stirs within me."

♥ "Perhaps," he began, "you did not notice me peering at the wall just above the place where the head lay. The light from the inspector's lantern was shining full on it, and I saw something that looked queer to me, and I examined it closely. I found that some one had drawn in red chalk a rough outline of a hand—a human hand—upon the wall. But it was the curious position of the fingers that struck me; it was like this"; and he took a pencil and a piece of paper and drew rapidly, and then handed what he had done to Phillipps. It was a rough sketch of a hand seen from the back, with the fingers clenched, and the top of the thumb protruded between the first and second fingers, and pointed downwards, as if to something below.

"It was just like that," said Dyson, as he saw Phillipps's face grow still whiter. "The thumb pointed down as if to the body; it seemed almost a live hand in ghastly gesture. And just beneath there was a small mark with the powder of the chalk lying on it—as if some one had commenced a stroke and had broken the chalk ion his hand. I saw the bit of chalk lying on the ground. But what do you make of it?"

"It's a horrible sign," said Phillipps—"one of the most horrible signs connected with the theory of the evil eye. It is used still in Italy, but there can be no doubt that it has been known for ages. It is one of the survivals; you must look for the origin of it in the black swamp whence man first came."

♥ "..Remember a murderer is always a madman. He may plot and contrive nine-tenths of his scheme with the acuteness and the grasp of a chess-player or a pure mathematician; but somewhere or other his wits leave him and he behaves like a fool. Then you must take into account the insane pride or vanity of the criminal; he likes to leave his mark, as it were, upon his handiwork."

♥ "..I tell you, Phillipps, again, the whole thing has an ugly look to my eyes. I cannot do as you do, and fortify myself with cast-iron propositions to the effect that this or that doesn't happen, and never has happened. You note that the first word in the letter is "hand". That seems to me, taken with what we know about the hand on the wall, significant enough, and what you yourself told me of the history and meaning of the symbol, its connection with a world-old belief and faiths of dim far-off years, all this speaks of mischief, for me at all events. No; I stand pretty well to what I said to you half in joke that night before we went out. There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead."

♥ It was a small black tablet, apparently of stone, about four inches long by two and a half broad, and as Dyson took it he felt rather than saw that he touched the secular with his flesh. There was some kind of carving on the surface, and, most conspicuous, a sign that made Dyson's heart leap.

..The tablet was full under the light of the shaded candle, and scrutinizing it closely, Dyson saw first the sign of the hand with the thumb protruding between the fingers; it was cut finely and firmly on the dull black surface of the stone, and the thumb pointed downward to what was beneath.

..The hand pointed at a series of fantastic figures, spirals and whorls of the finest, most delicate lines, spaced at intervals over the remaining surface of the tablet. The marks were as intricate and seemed almost as much without design as the pattern of a thumb impressed upon a pane of glass.

"Is it some natural marking?" thought Dyson; "there have been queer designs, likenesses of beasts and flowers, in stones with which man's hand had nothing to do"; and he bent over the stone with a magnifier, only to be convinced that no hazard of nature could have delineated these varied labyrinths of line. The whorls were of different sizes; some were less than the twelfth of an inch in diameter, and the largest was a little smaller than a six-pence, and under the glass the regularity and accuracy of the cutting were evident, and in the smaller spirals the lines were graduated at intervals of a hundredth of an inch. The whole thing had a marvellous and fantastic look, and gazing at the mystic whorls beneath the hand, Dyson became subdued with an impression of vast and far-off ages, and of a living being that had touched the stone with enigmas before the hills were formed, when the hard rocks still boiled with fervent heat.

"The "black heaven" is found again," he said, "but the meaning of the stars is likely to be obscure for everlasting so far as I am concerned."

♥ "My dear Phillipps, you are a living example of the truth of the axiom that extreme scepticism is merely credulity."

♥ Mr Phillipps, in spite of all disavowals—in spite of the wall of sense of whose enclosure and limit he was wont to make his boast—yet felt in his heart profoundly curious as to the case of Sir Thomas Vivian. Thought he kept a brave face for his friend, his reason could not evidently resist the conclusion that Dyson had enunciated, namely, that the whole affair had a look both ugly and mysterious. There was the weapon of a vanished race that had pierced the great arteries; the red hand, the symbol of a hideous faith, that pointed to the slain man; and then the tablet which Dyson declared he had expected to find, and had certainly found, bearing the ancient impress of the hand of malediction, and a legend written beneath in a character compared with which the most antique cuneiform was a thing of yesterday.

♥ They heard footsteps on the stair, and presently the door opened, and a midge-aged man, with a bowed head, bearded, and with a good deal of grizzling hair about his ears, came into the room. Phillipps glanced at his features, and recognized the lineaments of terror.

♥ "..I will say, then, that I was born in a remote part of the west of England, where the very outlines of the woods and hills, and the winding of the streams in the valleys, are apt to suggest the mystical to any one strongly gifted with imagination. When I was quite a boy there were certain huge and rounded hills, certain depths of hanging wood, and secret valleys bastioned round on every side that filled me with fancies beyond the bourne of rational expression, and as I grew older and began to dip into my father's books, I went by instinct, like the bee, to all that would nourish fantasy. Thus, from a course of obsolete and occult reading, and from listening to certain wild legends in which the older people still secretly believed, I grew firmly convinced of the existence of treasure, the hoard of a race extinct for ages, still hidden beneath the hills, and my every thought was directed to the discovery of the golden heaps that lay, as I fancied, within a few feet of the green turf. To one spot, in especial, I was drawn as if by enchantment; it was a tumulus, the domed memorial of some forgotten people, crowning the crest of a vast mountain range; and I have often lingered there on summer evenings, sitting on the great brick of limestone at the summit, and looking out far over the yellow sea toward the Devonshire coast. One day as I dug heedlessly with the ferrule of my stick at the mosses and lichens which grew rank over the stone, my eye was caught by what seemed a pattern beneath the growth of green; there was a curving line, and marks that did not look altogether the work of nature. At first I thought I had bared some rare fossil, and I took out my knife and scraped away at the moss till a square foot was uncovered. Then I saw two signs which startled me; first, a closed hand, pointing downwards, the thumb protruding between the fingers, and beneath the hand a whorl or spiral, traced with exquisite accuracy in the hard surface of the rock. Here, I persuaded myself, was an index to the great secret, abut I chilled at the recollection of the fact that some antiquarians had tunnelled the tumulus through and through, and had been a good deal surprised at not finding so much as an arrowhead within. Clearly, then, the signs on the limestone had no local significance; and I made up my mind that I must search abroad. By sheer accident I was in a measure successful in my quest. Strolling by a cottage, I saw some children playing by the roadside; one was holding up some object in his hand, and the rest were going through one of the many forms of elaborate pretence which make up a great part of the mystery of a child's life. Something in the object held by the little boy attracted me, and I asked him to let me see it. The plaything of these children consisted of an oblong tablet of black stone; and on it was inscribed the hand pointing downwards, just as I had seen it on the rock, while beneath, spaced over the tablet, were a number of whorls and spirals, cut, as it seemed to me, with the utmost care and nicety. I bought the toy for a couple of shillings; the woman of the house told me it had been lying about for years; she thought her husband had found it one day in the brook which ran in front of the cottage: it was a very hot summer, and the stream was almost dry, and he saw it amongst the stones. That day I tracked the brook to a well of water gushing up cold and clear at the head of a lonely glen in the mountain. That was twenty years ago, and I only succeeded in deciphering the mysterious inscription last August.

.."How about the treasure?"

"I had rather we did not speak of that," said Mr Selby, with a whitening of the skin about the temples.

"Oh, nonsense, sir, we are not blackmailers. Besides, you know you are in our power."

"Then, as you put it like that, Mr Dyson, I must tell you I returned to the place. I went on a little farther than before."

The man stopped short, his mouth began to twitch, his lips moved apart, and he drew in quick breaths, sobbing.

"Well, well," said Dyson, "I dare say you have done comfortably."

"Comfortably," Selby went on, constraining himself with an effort, "yes, so comfortably that hell burns hot within me for ever. I only brought one thing away from that awful house within the hills; it was lying just beyond the spot where I found the flint knife."

"Why did you not bring more?"

The whole body frame of the wretched man visibly shrank and wasted; his face grew yellow as tallow, and the sweat dripped from his brows. The spectacle was both revolting and terrible, and when the voice came, it sounded like the hissing of a snake.

"Because the keepers are still there, and I saw them, and because of this," and he pulled out a small piece of curious gold-work and held it up.

"There," he said, "that is the Pain of the Goat."

Phillipps and Dyson cried out together in horror at the revolting obscenity of the thing.

"Put it away, man; hide it, for Heaven's sake, hide it!"

"I brought that with me; that is all," he said. "You do not wonder that I did not stay long in a place where those who live are a little higher than the beasts, and where what you have seen is surpassed a thousandfold?"

~~The Red Hand.

♥ "Sorcery and sanctity," said Ambrose, "these are the only realities. Each is an ecstasy, a withdrawal from the common life.. ..Yes," he went on, "magic is justified of her children. There are many, I think, who eat dry crusts and drink water, with a joy infinitely sharper than anything within the experience of the 'practical' epicure."

"You are speaking of the saints?"

"Yes, and of the sinners, too. I think you are falling into the very general error of confining the spiritual world to the supremely good; but the supremely wicked, necessarily, have their portion in it. The merely carnal, sensual man can no more be a great sinner than he can be a great saint. Most of us are just indifferent, mixed-up creatures; we muddle through the world without realizing the meaning and the inner sense of things, and, consequently, our wickedness and our goodness are alike second-rate, unimportant."

"And you think the great sinner, then, will be an ascetic, as well as the great saint?"

"Great people of all kinds forsake the imperfect copies and go to the perfect originals. I have no doubt but that many of the very highest among the saints have never done a 'good action' (using the words in their ordinary sense). And, on the other hand, there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed.'"

.."I can't stand it, you know," [Cotgrave] said, "your paradoxes are too monstrous. A man may be a great sinner and yet never do anything sinful! Come!"

"You're quite wrong," said Ambrose. "I never make paradoxes; I wish I could. I merely said that a man may have an exquisite taste in Romanée Conti, and yet never have even smelt four ale. That's all, and it's more like a truism than a paradox, isn't it? Your surprise at my remark is due to the fact that you haven't realized what sin is. Oh, yes, there is a sort of connexion between Sin with the capital letter, and actions which are commonly called sinful: with murder, theft, adultery, and so forth. Much the same connexion that there is between the A, B, C and fine literature. But I believe that the misconception—it is all but universal—arises in great measure from our looking at the matter through social spectacles. We think that a man who does evil to us and to his neighbours must be very evil. So he is, from a social standpoint; but can't you realize that Evil in its essence is a lonely thing, a passion of the solitary, individual soul? Really, the average murderer, quà murderer, is not by any means a sinner in the true sense of the word. He is simply a wild beast that we have to get rid of to save our own necks from his knife. I should class him rather with tigers than with sinners. ..The murderer murders not from positive qualities, but from negative ones: he lacks something which non-murderers possess. Evil, of course, is wholly positive—only it is on the wrong side. You may believe me that sin in its proper sense is very rare: it is probable that there have been far fewer sinners than saints. Yes, your standpoint is all very well for practical, social purposes; we are naturally inclined to think that a person who is very disagreeable to us must be a very great sinner! It is very disagreeable to have one's pocket picked, and we pronounce the thief to be a very great sinner. In truth, he is merely an undeveloped man. He cannot be a saint, of course; but he may be, and often is, an infinitely better creature than thousands who have never broken a single commandment. He is a great nuisance to us>, I admit, and we very properly lock him up if we catch him; but between his troublesome and unsocial action and evil—Oh, the connexion is of the weakest."

.."..You think, then, that we do not understand the real nature of evil?"

"No, I don't think we do. We over-estimate it and we underestimate it. We take the very numerous infractions of our social "bye-laws"—the very necessary and very proper regulations which keep the human company together—and we get frightened at the prevalence of "sin" and "evil". But this is really nonsense. Take theft, for example. Have you any horror at the thought of Robin Hood, of the Highland caterans of the seventeenth century, of the moss-troopers, of the company promoters of our day?

"Then, on the other hand, we underrate evil. We attach such an enormous importance to the "sin" of meddling with our pockets (and our wives) that we have quite forgotten the awfulness of real sin."

"And what is sin?" said Cotgrave.

"I think I must reply to your question by another. What would your feelings be, seriously, if your cat or your dog began to talk to you, and to dispute with you in human accents? You would be overwhelmed with horror. I am sure of it. And if the roses in your garden sang a weird song, you would go mad. And suppose the stones in the road began to swell and grow before your eyes, and if the pebble that you noticed at night had shot out stony blossoms in the morning?

"Well, these examples may give you some notion of what sin really is."

.."..Then the essence of sin really is—"

"In the taking of heaven by storm, it seems to me," said Ambrose. "It appears to me that it is simply an attempt to penetrate into another and a higher sphere in a forbidden manner. You can understand why it is so rare. They are few, indeed, who wish to penetrate into other spheres, higher or lower, in ways allowed or forbidden. Men, in the mass, are amply content with life as they find it. Therefore there are few saints, and sinners (in the proper sense) are fewer still, and men of genius, who partake sometimes of each character, are rare also. Yes; on the whole, it is, perhaps, harder to be a great sinner than a great saint."

"There is something profoundly unnatural about sin? Is that what you mean?"

"Exactly. Holiness requires as great, or almost as great, an effort; but holiness works on lines that were natural once; it is an effort to recover the ecstasy that was before the Fall. But sin is an effort to gain the ecstasy and the knowledge that pertain alone to angels, and in making this effort man becomes a demon. I told you that the mere murderer is not therefore a sinner; that is true, but the sinner is sometimes a murderer. Gilles de Raiz is an instance. So you see that while the good and the evil are unnatural to man as he now is—to man the social, civilized being—evil is unnatural in a much deeper sense than good. The saint endeavours to recover a gift which he has lost; the sinner tries to obtain something which was never his. In brief, he repeats the Fall."

"But are you a Catholic?" said Cotgrave. .."..Then, how about those texts which seem to reckon as sin that which you would set down as a mere trivial dereliction?"

"Yes; but in one place the word "sorcerers" comes in the same sentence, doesn't it? That seems to me to give the key-note. Consider: can you imagine for a moment that a false statement which saves an innocent man's life is a sin? No; very good, then, it is not the mere liar who is excluded by those words; it is, above all, the "sorcerers" who use the material life, who use the failings incidental to material life as instruments to obtain their infinitely wicked ends. And let me tell you this: our higher senses are so blunted, we are so drenched with materialism, that we should probably fail to recognize real wickedness if we encountered it."

.."..Is wickedness ever unconscious?"

"Always. It must be so. It is like holiness and genius in this as in other points; it is a certain rapture or ecstasy of the soul; a transcendent effort to surpass the ordinary bounds. So, surpassing these, it surpassed also the understanding, the faculty that takes note of that which comes before it. No, a man may be infinitely and horribly wicked and never suspect it. But I tell you, evil in this, its certain and true sense, is rare, and I think it is growing rarer."

.."Then, to return to our mains subject, you think that sin is an esoteric, occult thing?"

"Yes. It is the infernal miracle as holiness is the supernal. Now and then it is raised to such a pitch that we entirely fail to suspect its existence; it is like the note of the great pedal pipes of the organ, which is so deep that we cannot hear it. In other cases it may lead to the lunatic asylum, or to still stranger issues. But you must never confuse it with mere social misdoing. Remember how the Apostle, speaking of the "other side", distinguishes between "charitable" actions and charity. And as one may give all one's goods to the poor, and yet lack charity; so, remember, one may avoid every crime and yet be a sinner. ..because the true evil has nothing to do with social life or social laws, or if it has, only incidentally and accidentally. It is a lonely passion of the soul—or a passion of the lonely soul—whichever you like. If, by chance, we understand it, and grasp its full significance, then, indeed, it will fill us with horror and with awe. But this emotion is widely extinguished from the fear and the disgust with which we regard the ordinary criminal, since this latter is largely or entirely founded on the regard which we have for our own skins or purses. We hate a murderer, because we know that we should hate to be murdered, or to have any one that we like murdered. So, on the 'other side,' we venerate the saints, but we don't 'like' them as we like our friends. Can you persuade yourself that you would have 'enjoyed' St. Paul's company? Do you think that you and I would have 'got on' with Sir Galahad?

"So with the sinners, as with the saints. If you met a very evil man, and recognized his evil; he would, no doubt, fill you with horror and awe; but there is no reason why you should 'dislike' him. On the contrary, it is quite possible that if you could succeed in putting the sin out of your mind you might find the sinner capital company, and in a little while you might have to reason yourself back into horror. Still, how awful it is. If the roses and the lilies suddenly sang on this coming morning; if the furniture began to move in procession, as in De Maupassant's tale!"

"I am glad you have come back to that comparison," said Cotgrave, "because I wanted to ask you what it is that corresponds in humanity to these imaginary feats of inanimate things. In a word—what is sin? You have given me, I know, an abstract definition, but I should like a concrete example."

"I told you it was very rare," said Ambrose, who appeared willing to avoid the giving of a direct answer. "The materialism of the age, which has done a good deal to suppress sanctity, has done perhaps more to suppress it. We find the earth so very comfortable that we have no inclination either for ascents or descents. It would seem as if the scholar who decided to "specialize" in Tophet, would be reduced to purely antiquarian researches. No palæontologist could show you a live pterodactyl."

♥ There was a broad red band in the east as Cotgrave turned to go, and from the high ground where he stood he saw that awful spectacle of London in a dream.

♥ I wanted a book like this, so I took it to write in. It is full of secrets. I have a great many other books of secrets I have written, hidden in a safe place, and I am going to write here many of the old secrets and some new ones; but there are some I shall not put down at all. I must not write down =the real names of the days and montsh which I found out a year ago, nor the way to make the Aklo letters, or the Chian language, or the great beautiful Circles, nor the Mao Games, nor the chief songs. I may write something about all these things but not the way to do them, for peculiar reasons. And I must not say who the Nymphs are, or the Dôls, or Jeelo, or what voolas mean. All these are most secret secrets, and I am glad when I remember what they are, and how many wonderful languages I know, but there are some things that I call the secrets of the secrets of the secrets that I dare not think of unless I am quite alone, and then I shut mu eyes, and put my hands over them and whisper the word, and the Alala comes. I only do this at night in my room or in certain woods that I know, but I must not describe them, as they are secret woods. Then there are the Ceremonies, which are all of them important, but some are more delightful than others—there are the White Ceremonies, and the Green Ceremonies, and the Scarlet Ceremonies. The Scarlet Ceremonies are the best, but there is only one place where they can be performed properly, though there is a very nice imitation which I have done in other places. Besides these, I have the dances, and the Comedy, and I have done the Comedy sometimes when the others were looking, and they didn't understand anything about it. I was very little when I first knew about these things.

♥ They were saying how queer I was a year or two before, and how nurse had called my mother to come and listen to me talking all to myself, and I was saying words that nobody could understand. I was speaking the Xu language, but I only remember a very few of the words, as it was about the little white faces that used to look at me when I was lying in my cradle. They used to talk to me, and I learnt their language and talked to them in it about some great white place where they lived, where the trees and the grass were all white, and there were white hills as high up as the moon, and cold wind. I have often dreamed of it afterwards, bit the faces went away when I was very little.

♥ And this afternoon I walked a new way, and a little brook led me into a new country, but I tore my frock getting through some of the difficult places, as the way was through many bushes, and beneath the low branches of trees, and up thorny thickets on the hills, and by dark woods full of creeping thorns. And it was a long, long way. It seemed as if I was going on for ever and ever, and I had to creep by a place like a tunnel where a rook must have been, but all the water had dried up, and the floor was rocky, and the bushes had grown overhead till they met, so that it was quite dark. And I went on and on through that dark place; it was a long, long way. And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stooped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little twisted, stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stone before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words that I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him. And so I went on and on through the rocks till I came to a round mound in the middle of them. It was higher than a mound, it was nearly as high as our house, and it was like a great basin turned upside down, all smooth and round and green, with one stone, like a post, sticking up at the top. I climbed up the sides, but they were so steep I had to stop or I should have rolled all the way down again, and I should have knocked against the stones at the bottom, and perhaps been killed. But I wanted to get up to the very top of the big round mound, so I lay down flat on my face, and took hold of the grass with my hands and drew myself up, bit by bit, till I was at the top. Then I sat down on the stone in the middle, and looked all round about. I felt I had come such a long, long way, just as if I were a hundred miles from home, or in some other country, or in one of the strange places I had read about the 'Tales of the Genie' and the 'Arabian Nights', or as if I had gone across the sea, far away, for years and I had found another world that nobody had ever seen or heard of before, or as if I had somehow flown through the sky and fallen on one of the stars I had read about where everything is dead and cold and grey, and there is no air, and the wind doesn't blow.

♥ And when I came to the top, the ground rose up in front of me, tall and steep as a wall, and there was nothing but the green wall and the sky. I thought of 'for ever and for ever, world without end, Amen'; and I thought I must have really found the end of the world, because it was like the end of everything, as if there could be nothing at all beyond, except the kingdom of Voor, where the light goes when it is put out, and the water goes when the sun takes it away. I began to think of all the long, long way I had journeyed, how I had found a brook and followed it, and followed it on, and gone through bushes and thorny thickets, and dark woods full of creeping rhoens. Then I had crept up a tunnel under trees, and climbed a thicket, and seen all the grey rocks, and sat in the middle of them when they turned round, and then I had gone on through the grey rocks and come down the hill through the stinging thicket and up the dark valley, all a long, long way. I wondered how I should get home again, if I could ever find the way, and if my home was there any more, or if it were turned and everybody in it into grey rocks, as in the 'Arabian Nights'.

♥ I was in the queerest county I had seen, stranger even than the hill of the grey rocks. It looked as if earth-children had been playing there with their spades, as it was all hills and hollows, and castles and walls made of earth and covered with grass. There were two mounds like big beehives, round and great and solemn, and then hollow basins, and then a steep mounting wall like the ones I saw once by the seaside where the big guns and the soldiers were. I nearly fell into one of the round hollows, it went away from under my feet so suddenly, and I ran fast down the side and stood at the bottom and looked up. It was strange and solemn to look up. There was nothing but the grey, heavy sky and the sides of the hollow; everything else had gone away, and the hollow was the whole world, and I thought that at night it must be full of ghosts and moving shadows and pale things when the moon shone down to the bottom at the dead of the night, and the wind wailed up above. It was so strange and solemn and lonely, like a hollow temple of dead heathen gods.

♥ And I went on, and at last I found a certain wood, which is too secret to be described, and nobody knows of the passage into it, which I found out in a very curious manner, by seeing some little animal run into the wood through it. So I went after the animal by a very narrow dark way, under thorns and bushes, and it was almost dark when I came to a kind of open place in the middle. And there I saw the most wonderful sight I have ever seen, but it was only for a minute, as I ran away directly, and crept out of the wood by the passage I had come by, and ran and ran as fast as ever I could, because I was afraid, what I had seen was so wonderful and so strange and beautiful. But I wanted to get home and think of it, and I did not know what might not happen if I stayed by the wood. I was hot all over and trembling, and my heart was beating, and strange cries that I could not help came from me as I ran from the wood.

♥ And sometimes nurse told me tales that she had heard from her great-grandmother, who was very old, and lived in a cottage on the mountain all alone, and most of these tales were about a hill where people used to meet at night long ago, and they used to play all sorts of strange games and do queer things that nurse told me of, but I couldn't understand, and now, she said, everybody but her great-grandmother had forgotten all about it, and nobody knew where the hill was, not even her great-grandmother. But she told me one very strange story about the hill, and I trembled when I remembered it. She said that people always went there in summer, when it was very hot, and they had to dance a good deal. It would be all dark at first, and there were trees there, which made it much darker, and people would come, one by one, from all directions, by a secret path which nobody else knew, and two person would keep the gate, and every one as they came up had to give a very curious sign, which nurse showed me as well as she could, but she said she couldn't show me properly. And all kinds of people would come; there would be gentle folks and village folks, and some old people and boys and girls, and quite small children, who sat and watched. And it would all be dark as they came in, except in one corner where some one was burning something that smelled strong and sweet, and made them laugh, and there one would see a glaring of coals, and the smoke mounting up red. So they would all come in, and when the last had come there was no door any more, so that no one else could get in, even if they knew there was anything beyond. ..So when once everybody had come, there was no door at all for anybody else to pass in by. And when they were all inside, round in a ring, touching each other, some one began to sing in the darkness, and some one else would make a noise like thunder with a thing they had on purpose, and on still nights people would hear the thundering noise far, far away beyond the wild land, and some of them, who thought they knew what it was, used to make a sign on their breasts when they woke up on their beds at dead of night and heard that terrible deep noise, like thunder in the mountains. And the noise and the singing would go on and on for a long time, and the people who were in a ring swayed a little to and fro; and the song was in an old, old language that nobody knows now, and the tune was queer. Nurse said her great-grandmother had known some one who remembered a little of it, when she was quite a little girl, and nurse tried to sing some of it to me, and it was so strange a tune that I turned all cold and my flesh crept as if I had put my hand on something dead. Sometimes it was a man that sang and sometimes it was a woman, and sometimes the one who sang it did it so well that two or three of the people who were there fell to the ground shrieking and tearing with their hands. The singing went on, and the people in the ring kept swaying to and fro for a long time, and at last the moon would rise over a place they called the Tole Deol, and came up and showed them swinging and swaying from side to side, with the sweet thick smoke curling up from the burning coals, and floating in circles all around them. Then they had their supper. A boy and a girl brought it to them; the boy carried a great cup of wine, and the girl carried a cake of bread, and they passed the bread and the wine round and round, but they tasted quite different from common bread and common wine, and changed everybody that tasted them. Then they all rose up and danced, and secret things were brought out of some hiding place, and they played extraordinary games, and danced round and round and round in the moonlight, and sometimes people would suddenly disappear and never be heard of afterwards, and nobody knew what had happened to them. And they drank more of that curious wine, and they made images and worshipped them..

♥ So we sat down, and nurse took the clay out of the bucket, and began to knead it with her hands, and do queer things with it, and turn it about. And she hid it under a big dock-leaf for a minute or two and then she brought it out again, and then she stood up and sat down, and walked round the clay in a peculiar manner, and all the time she was softly singing a sort of rhyme, and her face got very red. Then she sat down again, and took the clay in her hands and began to shape it into a doll, but not like the dolls I have at home, and she made the queerest doll I had ever seen, all out of the wet clay, and hid it under a bush to get dry and hard, and all the time she was making it she was singing these rhymes to herself, and her face got redder and redder. So we left the doll there, hidden away in the bushes where nobody would ever find it. And a few days later we went the same walks, and when we came to that narrow, dark part of the lane where the brake runs down to the bank, nurse made me promise all over again, and she looked about, just as she has done before, and we crept into the bushes till we got to the green place where the little clay man was hidden. I remember it all so well, though I was only eight, and it is eight years ago now as I am writing it down, but the sky was a deep violet blue, and in the middle of the brake where we were sitting there was a great elder tree covered with blossoms, and on the other side there was a clump of meadowsweet, and when I think of that day the smell of the meadowsweet and elder blossom seems to fill the room, and if I shut my eyes I can see the glaring blue sky, with little clouds very white floating across it, and nurse who went away long ago sitting opposite me and looking like the beautiful white lady in the wood. So we sat down and nurse took out the clay doll from the secret place where she had hidden it, and she said we must 'pay our respects', and she would show me what to do, and I must watch her all the time. So she did all sorts of queer things with the little clay man, and I noticed she was all streaming with perspiration, though we had walked so slowly, and then she told me to 'pay my respects', and I did everything she did because I liked her, and it was such an odd game. And she said that if one loved very much, the clay man was very good, if one did certain things with it, and if one hated very much, it was just as good, only one had to do different things, and we played with it a long time, and pretended all sorts of things.

♥ But the truth was, that she was the queen of the people who danced on the hill on summer nights, and on the proper nights she would lock the door of her room, and she and her maid would steal out of the castle by a secret passage that only they knew of, and go away up to the hill in the wild land. And she knew more of the secret things than any one else, and more than any one knew before or after, because she would not tell anybody the most secret secrets. She knew how to do all the awful things, how to destroy young men, and how to put a curse on people, and other things that I could not understand. And her real name was the Lady Avelin, but the dancing people called her Cassap, which meant somebody very wise, in the old language. And she was whiter than any of them and taller, and her eyes shone in the dark like burning rubies; and she could sing songs that none of the others could sing, and when she sang they all fell down on their faces and worshipped her. And she could do what they called shib-show, which was a very wonderful enchantment. She would tell the great lord, her father, that she wanted to go into the woods to gather flowers, so he let her go, and she and her maid went into the woods where nobody came, and the maid would keep watch. Then the lady would lie down under the trees and begin to sing a particular song, and she stretched out her arms, and from every part of the wood great serpents would come, hissing and gliding in and out among the trees, and shooting out their forked tongues as they crawled up to the lady. And they all came to her, and twisted round her, round her body, and her arms, and her neck, till she was covered with writhing serpents, and there was only her head to be seen. And she whispered to them, and she sang to them, and they writhed round and round, faster ans faster, till she told them to go. And they all went away directly, back to their holes, and on the lady's breast there would be a most curious, beautiful stone, shaped something like an egg, and coloured dark blue and yellow, and red, and green, marked like a serpent's scales. It was called a glame stone, and with it one could do all sorts of wonderful things, and nurse said her great-grandmother had seen a glame stone with her own eyes, and it was for all the world shiny and scaly like a snake. And the lady could do a lot of other things as well, but she was quite fixed that she would not be married.

♥ And I pretended I was following the brook over again, and I went all the way in my mind, and at last I found the wood, and crept into it under the bushes, and then in the dusk I saw something that made me feel as if I were filled with fire, as if I wanted to dance and sing and fly up into the air, because I was changed and wonderful. But what I saw was not changed at all, and had not grown old, and I wondered again and again how such things would happen, and whether nurse's stories were really true, because in the daytime in the open air everything seemed quite different from what it was at night, when I was frightened, and thought I was to be burned alive. I only told my father one of her little tales, which was about a ghost, and asked him if it was true, and he told me it was not true at all, and that only common, ignorant people believed in such rubbish. He was very angry with nurse for telling me the story, and scolded her, and after that I promised her I would never whisper a word of what she told me, and if I did I should be bitten by the great black snake that lived in the pool in the wood. And all alone on the hill I wondered what was true. I had seen something very amazing and very lovely, and I knew a story, and if I had really seen it, and not made it up out if the dark, and the black bough, and the bright shining that was mounting up to the sky from over the great round hill, but had really seen it in truth, then there were all kinds of wonderful and lovely and terrible things to think of, so I longed and trembled, and I burned and got cold. And I looked down on the town, so quiet and still, like a little white picture, and I thought over and over if it could be true. It was a long time before I could make up my mind to anything; there was such a strange fluttering at my heart that seemed to whisper to me all the time that I had not made it up out of my head, and yet it seemed quite impossible, and I knew my father and everybody would say it was dreadful rubbish. I never dreamed of telling him or nobody else a word about it, because I knew it would be of no use, and I should only get laughed at or scolded, so for a long time I was very quiet, and went about thinking and wondering; and at night I used to dream of amazing things, and sometimes I woke up in the early morning and held out my arms with a cry. And I was frightened, too, because there were dangers, and some awful thing would happen to me, unless I took great care, if the story were true. ..But one day I became sure that all that nurse said was quite true, and I was all alone when I found it out. I trembled all over with joy and terror, and as fast as I could I ran into one of the old brakes where we used to go—it was the one by the lane, where nurse made the little clay man—and I ran into it, and I crept into it; and when I came to the place where the elder was, I covered up my face with my hands and lay down flat on the grass, and I stayed there for two hours without moving, whispering to myself delicious, terrible things, and saying some words over and over again. It was all true and wonderful and splendid, and when I remembered the story I knew and thought of what I had really seen, I got hot and I got cold, and the air seemed full of scent, and flowers, and singing.

♥ Then I climbed up the steep wall, and went into the place where there are the hollows, and the two beautiful mounds, and the round ridges of land, and all the strange shapes. I did not go down into the hollow this time, but I returned at the end, and made out the figures quite plainly, as it was lighter, and I had remembered the story I had quite forgotten before, and in the story the two figures are called Adam and Eve, and only those who know the story understand what they mean. So I went on and on till I came to the secret wood which must not be described, and I crept into it by the way I had found. And when I had gone about halfway I stopped, and turned round, and got ready, and I bound the handkerchief tightly round my eyes, and made quite sure that I could not see at all, not a twig, nor the end of a leaf, nor the light of the sky, as it was an old red silk handkerchief with large yellow spots, that went round twice and covered my eyes, so that I could see nothing. Then I began to go on, step by step, very slowly. My heart faster and faster, and something rose in my throat and choked me and made me want to cry out, but I shut my lips, and went on. Boughs caught in my hair as I went, and great thorns tore me; but I went on to the end of the path. Then I stopped, and held out my arms and bowed, and I went round the first time, feeling with my hands, and there was nothing. I went round the second time, feeling with my hands, and there was nothing. Then I went round the third time, feeling with my hands, and the story was all true, and I wished that the years were gone by, and that I had not so long a time to wait before I was happy for ever and ever.

♥ "But you have noticed the obscurity," Ambrose went on, "and in this particular case it must have been dictated by instinct, since the writer never thought that her manuscripts would fall into other hands. But the practice is universal, and for most excellent reasons. Powerful and sovereign medicines, which are, of necessity, virulent poisons also, are kept in a locked cabinet. The child may find the key by chance, and drink herself dead; but in most cases the search is educational, and the phials contain precious elixirs for him who has patiently fashioned the key for himself."

♥ "They discovered that green book somewhere in her room, and I found her in the place that she described with so much dread, lying on the ground before the image."

"It was an image?"

"Yes, it was hidden by the thorns and the thick undergrowth that had surrounded it. It was a wild, lonely country; but you know what it was like by her description, though of course you will understand that the colours have been heightened. A child's imagination always makes the heights higher and the depths deeper than they really are; and she had, unfortunately for herself, something more than imagination. One might say, perhaps, that the picture in her mind which she succeeded in a measure in putting into words, was the scene as it would have appeared to an imaginative artist. But it is a strange, desolate land."

.."And what was the statue?"

"Well, it was of Roman workmanship, of a stone that with the centuries had not blackened, but had become white and luminous. The thicket had grown up about it and concealed it, and in the Middle Ages the followers of a very old tradition had known how to use it for their own purposes. In fact it had been incorporated into the monstrous mythology of the Sabbath. You will have noticed that those to whom a sight of that shining whiteness had been vouchsafed by chance, or rather, perhaps, by apparent chance, were required to blindfold themselves on their second approach. That is very significant."

♥ "The persistence of tradition never surprises me," Ambrose went on after a pause. "I could name many an English parish where such traditions as that girl had listened to in her childhood are still existent in occult but unabated vigour. No, for me, it is the 'story' not the 'sequel', which is strange and awful, for I have always believed that wonder is of the soul."

~~The White People.
Tags: 1890s, 1900s - fiction, 19th century - fiction, 20th century - fiction, 3rd-person narrative, british in fiction, crime, fantasy, fiction, horror, literature, medicine (fiction), mental health (fiction), monster fiction, nature (fiction), occult (fiction), paranormal investigations (fiction), philosophical fiction, religion (fiction), religion - paganism (fiction), suicide (fiction), welsh - fiction

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